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...acting of the supporting cast is uniformly excellent. I especially enjoyed Thayer David's gross portrayal of Sir Jasper Fidget, though Earl Montgomery, Bryant Holiday, Eleanor MacLean, Leslie Paul, Naomi Raphaelson, and Jeanne Tufts all perform well. Kenneth Scott was imperturbably droll, though silent, in the part of Balthazar, a little colored boy who attends Sparkish (in its zest for "business" the Brattle group created this role out of thin...

Author: By John R. W. smail, | Title: THE PLAYGOER | 5/16/1950 | See Source »

...droll characterization of Lucifer, a sort of feline Charles Laughton. By remembering that his tale takes place "once upon a time in a faraway land," Disney avoids the temptation of gagging it up with anachronisms or excessive cartoon acrobatics. With just the right wizard's brew of fancy and fun, sugar and spice, he makes an old, old story seem as innocently fresh as it must to the youngest moppet hearing it for the first time...

Author: /time Magazine | Title: The New Pictures, Feb. 20, 1950 | 2/20/1950 | See Source »

...from Chicago's City News Bureau. After a stint at general assignments and politics, he went to Washington and became bureau chief in 1914. Henning was one of the favored reporters William Howard Taft called in for press conferences around the Cabinet table. There, Taft regaled them with droll stories, "shaking," says Henning, "like a bowl full of jelly." Henning found Woodrow Wilson irascible and short-tempered, and Calvin Coolidge a man who "would talk your arm off if you gave him a chance...

Author: /time Magazine | Title: The Press: TRO for HNG | 1/31/1949 | See Source »

...farm policy. In his heyday as president of the rich American Farm Bureau Federation (membership: 1,275,000), he had no peer as a Washington lobbyist. He knew when to cajole, when to burst into anger, when to be imperious, when to recite statistics, when to tell a droll story. The Agricultural Adjustment Act was the result of Ed O'Neal's ideas. He "nominated" Henry Wallace for Secretary of Agriculture, backed his crop-control program ("Plow the little pigs under"), persistently pushed parity payments onward & upward...

Author: /time Magazine | Title: FARMERS: So Long, Ed | 12/29/1947 | See Source »

...audience upstairs to the famous Pudding after-the-show cabaret humming good tunes and roaring at the mere thought of Theodore Allegretti. Recent patrons of Sanders Theatre probably remember Allegretti as an intense young man with a flare for speechifying. But it is as a comedian, occasionally whimsical and droll but usually nothing short of hilarious, that he stands out in a show which is full of entertainment value, from book and music on down through sets and costumes...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 3/27/1947 | See Source »

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