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...Shankar also proved something else: that Indian music means a lot more than just the sitar and its familiar partners, the two-drum tabla and the string-drone tamboura. Indian music has its origins in Vedic hymns that date back 2,000 years. Indians have always believed that music has the power to change human destiny. Their sacred chants had to be intoned just so; a mistake could ruin everything. Thus, if Vocalist Jitendra Abhisheki seemed ner vous as he came out for a selection of Vedic chants, it was understandable. But his nasal, three-note invocation to Saraswati, goddess...

Author: /time Magazine | Title: Concerts: Utter Joy Uninhibited | 9/20/1968 | See Source »

...Jeff Fuller) sits improvising, in an appropriate raga, a preludial alapa on his sitar. Gradually a number of young men enter, wearing leis of orange and yellow flowers, and assume yoga positions. As bowls of incense waft their frangance, the sitar is joined off-stage by the traditional tambura drone and tabla rhythms...

Author: By Caldwell Titcomb, | Title: 'Love's Labour's Lost' Midst Rock 'n' Raga | 7/12/1968 | See Source »

...Indians and Mexican-Americans, hippies and middle-class citizens of all shades. Young people waded thigh-deep in the Mall's giant reflecting pool, and families sprawled on the grass for picnics of fried chicken, chitlins and all manner of exotic salads. Even the numbing, five-hour drone of songs (four), speeches (19), and prayers (five) recalled another occasion...

Author: /time Magazine | Title: Poverty: Solidarity & Disarray | 6/28/1968 | See Source »

...many important jobs as any man in our history," with the possible exception of John Quincy Adams.* At 76, Harriman is hard of hearing, but his vigor of mind and body remain unimpaired-and perhaps a touch of deafness might even help in talks that are likely to drone on for months, perhaps years...

Author: /time Magazine | Title: Nation: AVERELL HARRIMAN: The Toughest Test | 5/10/1968 | See Source »

Musically, Burton plans next to experiment by combining a string quartet with his ensemble. And the other liberated spirits assembled by him have just as many odd new ideas as the leader. Coryell, who likes to incorporate the drone of amplifier feedback into his solos, is seeking new electronic effects such as "a very quiet fuzz tone that suggests a little radio turned up as far as it goes. I see a lot of beauty in distortion...

Author: /time Magazine | Title: Jazz: Liberated Spirits | 3/1/1968 | See Source »

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