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...medical attention or had a parent already in the States. Since the island has officially returned to democratic rule, immigration officials say, Haitians don't qualify for humanitarian parole. Some of these children were orphaned in Haiti, and set to sea alone or with friends; others saw their parents drown. Because of the violence and deprivation they have experienced, many of the kids are terrified of going back to Haiti. Yet the official U.S. policy for these children is to locate relatives in Haiti and send the kids to them. So far, 60 Haitian children have been returned. But last...

Author: /time Magazine | Title: SUFFER THE CHILDREN | 5/22/1995 | See Source »

...obscures her feelings (and her vocal shortcomings) with screaming and squealing. The title track has an absorbing groove, but Harvey's self-consciously raw and distorted vocals push listeners away. The throbbing, mysterious Down by the Water is another melodically intriguing tune, though Harvey's mannered vocals nearly drown it. Harvey, 25, does occasionally spin out a gratifying guitar riff; but for the most part, she's unable to style her music with subtlety or grace. Harvey would do well to listen to jazz diva Cassandra Wilson's Blue Light 'til Dawn. Wilson's bluesy, modernist, intelligent vocalizing is less...

Author: /time Magazine | Title: PAINTING THE TOWN BLUE | 4/17/1995 | See Source »

Deep inside each consensus-building, big-tent Republican running for President lies the awful knowledge that one false step into the swamp of abortion politics can drown you. Say anything but that you are pro-life in the primaries and you will lose the nomination, but scare the pro-choicers and you may lose the election. So what's a candidate to do? Robert Dole, Phil Gramm and Lamar Alexander all claim the pro-life label, but not the mantle. They wrinkle their noses, say they personally don't like abortion-as if a personal preference substitutes for a clear...

Author: /time Magazine | Title: DUCKING THE QUESTION | 3/13/1995 | See Source »

...Williams on bass and drums, respectively. For some reason, the producer of Twenty One, Teo Macero (who produced all of the great Miles Davis and Thelonious Monk albums on Columbia) ,chose to have an incredibly bass-heavy mix, which, coupled with Williams's tooth-rattling cymbal crashes, threatens to drown out the subtleties of Allen's phrasing and unique harmonic conception. It is to Allen's credit that the clarity of her lines and the sharpness of her unceasing string of musical ideas are able to penetrate the intimidating throbbing set up by Carter and Williams...

Author: By Eric D. Plaks, | Title: Allen's Original Voice Transforms Jazz Tradition | 3/2/1995 | See Source »

...first spontaneous applause of the evening as her voice rises to the challenge of the opera's most famous set-piece, the aria "O mio babbino caro." Unfortunately, as she sings in Italian, most of the audience misses her tender appeal to her dear father, and her vow to drown herself in the Arno if her love for Rinuccio is thwarted...

Author: By John D. Shepherd, | Title: Dunster House Scales Puccini | 2/23/1995 | See Source »

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