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...songs weren't just happier; they really were directed at infants. He sang songs like "Hey There Little Insect" and "I'm A Little Dinosaur" and "Here Come the Martian Martians." He stopped playing with professional musicians and picked strangers out of the audience at concerts; they'd drum for him using rolled up newspapers. It took him a couple of years, but by 1979's Back in Your Life, he had snapped out of it, and he now plays a fusion of his two previous styles. A song on his new album, I'm So Confused, is called...

Author: By Ben Mckean, CONTRIBUTING WRITER | Title: Boston Big-Shot Returns to Bean-Town | 11/13/1998 | See Source »

...climax of the evening, however, began after a block of three songs from Rusted Root were played in succession. The band realized that the crowd needed to hear something familiar for rejuvenation--and Lord Almighty, did they get it. Donovan started the drum intro to "Martyr," the most deliriously happy song on When I Woke, and was soon followed by Glabicki's playing of the opening guitar riffs. The crowd, quite simply, went wild. The energy practically shot through the roof--suddenly jocks in baseball caps, hemp-wearing, adolescents and men with very long bears were jumping up and down...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Rusted Root Conquers Paradise | 11/13/1998 | See Source »

Future man's SynthAxe Drumitar took the place of a traditional drum set, and his machine can talk, sing and provide the mind-blowing beats that are required to keep up with Bela Fleck. Future man also brought a cajon, "the box," to onstage and sounded like a twelve-man percussion section during his solos, rather than a single, creative guy with fast fingers and a little help from an electronics company...

Author: By Emma R. Heeschen, CONTRIBUTING WRITER | Title: It's Fleck-er-iffic! | 11/6/1998 | See Source »

...same time slightly Stan Getz-y, especially in the playing of the tenor saxophone. This is apparent in the most beautiful piece on their album, "Sunset Bay." The softest and most tranquil by far, "Sunset Bay" takes you to the Bay Area where the artists grew up. Ultra simple drum programming with understated saxophone notes will make you think you are walking down the Embarcadero with your special someone. The same can be said about "Eventide;" yet this time, the brothers add flute and something known as "wah wah" bass, making "Eventide" a much more dynamic and upbeat piece, created...

Author: By Maria SOFIA Velez, CONTRIBUTING WRITER | Title: Jazzing It Up With The Braxton Brothers | 11/6/1998 | See Source »

...remaining core of '80s indie-rock's greatest band, despite their previous promises that the band would break up if one of the members left. The absence of a real-life drummer has opened the band up to critics who have ragged on the new album for using a drum machine, a faux pas for any true rock and roll band, as Billy Corgan and Smashing Pumpkins learned earlier this year with the mixed reception of Adore...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Up and Away: R.E.M. Walks On | 10/30/1998 | See Source »

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