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Word: drum (lookup in dictionary) (lookup stats)
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THERE WAS ONCE a drummer, his name was Oskar, and he stopped himself from growing on his third birthday. The world continued to grow around Oskar: the world, The War. But Oskar remained the size of a three-year-old, playing the role of a child, beating his tin drum, pounding for each passing syllable of history...

Author: By David Frankel, | Title: The World According to Oskar | 4/28/1980 | See Source »

...live and die, the city stand and fall, his family shrink and grow. His story is about the destruction of Germany by a force that had proposed to make the Germans the mightiest race on Earth and how the Germans and the world learned to accept that destruction and drum on. Oskar is a little bit mad and Oskar's history is a little...

Author: By David Frankel, | Title: The World According to Oskar | 4/28/1980 | See Source »

Gunter Grass filled his first novel, The Tin Drum (1959), with symbols that are not symbols, with allegories that are not allegories, with messages that are not messages. Volker Scholondorff has turned this sprawling, self-conscious novel of post-war Germany into a beautiful and disturbing film that recreates Danzig of the '30s and '40s without adequately illuminating Grass' novel. His film is both a magnificent success--well-acted, unblinkingly photographed, crisply edited--and a huge failure, an adaptation that dismally dissipates the epic power of the novel...

Author: By David Frankel, | Title: The World According to Oskar | 4/28/1980 | See Source »

...Barbaric, Mystical, bored," writes Grass of the 20th Century. Historians will one day recognize The Tin Drum as representative of a universal 20th Century experience, yet Grass' novel is above all a German work, addressing the provincial guilt and unease of post-war Germans, drawn to Hitler like adolescents to pornography and unable to cleanse themselves under the searchlight of vengeful, scrutinizing time...

Author: By David Frankel, | Title: The World According to Oskar | 4/28/1980 | See Source »

...unexpansive melody and Costello's lack of vocal control). The concept reappears on Get Happy!! in "B Movie," this time with a meaner, more controlled vocal; but the style, the emotion, is successfully rendered in "Riot Act." Hanging on every heavy, condemnatory thump of Pete Thomas's drum as he is led into custody, Elvis makes a last-stand plea on behalf of emotion to a cold, insolent spouse. Elvis climaxes musically by extending the verse just short of the chorus, tension building as he fights to squeeze more and more lines into the measures until he rams against...

Author: By D. BRUCE Edelstein, | Title: Abyss and Costello | 4/7/1980 | See Source »

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