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Word: drumfuls (lookup in dictionary) (lookup stats)
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...watches and "other flashy items" - that are to be sold to "recover losses from Ponzi scheme." Trouble is, it's hard to tell whether any of the merchandise at these auctions was owned by Madoff or those he ruined or if the ads are just a dubious way to drum up traffic for run-of-the-mill estate sales. (See a Madoff family photo album...

Author: /time Magazine | Title: Coming Soon to Your Town: Fake 'Madoff' Auctions? | 11/2/2009 | See Source »

...Cosmic Egg,” however, Wolfmother—with an all-new lineup supporting Stockdale—prove they have the talent and creativity to sustain their remarkable success. With intense, intricate, and looping guitar riffs, high pitched, Zeppelin-esque screeching, and rough, blazingly fast drum beats, “Cosmic Egg” is over an hour’s worth of epically long, stadium-worthy anthems...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

Wolfmother’s unexpected increase in energy is best evidenced on “New Moon Rising,” the album’s first single and standout track. A whirlwind of catchy guitar solos and pounding drums, it’s as fun to listen to as “Joker and the Thief” from their debut. Nearly 64th note bass drum and cymbal beats driving the entire track, it’s hard to keep up. Arpeggios of electric guitar fill a chorus of forceful, ominous lyrics: “She don?...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

Alongside this more spartan ethos, “Cosmic Egg” provides several tracks to balance with a heavier, metallic sound. From beginning to end, “10,000 Feet” is filled with dark, sadistic, repeated low-note chords, a dominating drum set, and shrill, bestial screams. “Sundial” features intricate guitar riffs sequenced with driving, propulsive bass strangely reminiscent of a Black Sabbath throwback. The tracks maintain Wolfmother’s characteristic clumsy, hard rock style...

Author: By Alex C. Nunnelly, CONTRIBUTING WRITER | Title: Wolfmother | 10/30/2009 | See Source »

...Exhibition in Paris in 1889.Later, six other undergraduates joined the Silk Road Ensemble to play music of Turkmen, Armenian, and Yiddish influence, using non-Western techniques and instruments to create music that was both captivating and unfamiliar. With irregular rhythms, a Japanese flute, and a hand drum, the ensemble seemed to conjure fantastic foreign landscapes.Christopher D. Chang ’12, a violist who performed in the concert, says that the ensemble’s style of playing was a refreshing change from the often sterile performance of Western works. “We learned by interacting and playing with...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Reaching the End of the Silk Road | 10/30/2009 | See Source »

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