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...matter what artistic accomplishments will grace this new year, America will always have Pamela and Tommy Lee. Shortly after their marriage in 1995, the bosomy former Baywatch actress and the heavily tattooed drummer of the rock band Motley Crue put together a home videotape that included episodes of explicit sex. The tape, allegedly stolen from the couple's Malibu, Calif., home soon after it was made, is now infamous, turning up at dinner parties in Hollywood and in media offices in New York City. This month, voyeurs everywhere get their chance to ogle. A Seattle-based adult-entertainment company will...

Author: /time Magazine | Title: The Honeymooners | 1/12/1998 | See Source »

...press on farther east into the faded glory of Hollywood, which started everyone smoking in the first place. The Frolic Room, where the walls have emphysema, is smokeless. Traci Michaelz, a drummer with the Peppermint Creeps, goes outside to smoke and says, "This is all about control, dude." You notice that his green fingernail polish matches neither his feather boa nor his skirt, and you know things change only for the worse...

Author: /time Magazine | Title: Prohibition All Over Again | 1/12/1998 | See Source »

Opening with a menacing remix of the ordinarily lovely "Hymn," Moby proceeded to dive into his back catalog of early '90s house tracks, accompanied by two drummers and a live bass player, a la Squarepusher. The shirtless Mr. Hall himself bounced all over the stage, becoming an occasional third drummer and pounding on keyboards from time to time. "Ah Ah" and "Bring Back My Happiness" were played for speed, a fact appreciated by the crowds. The rave classic "Move," stretched to eight minutes, was far too short. Euphoria was the order of the night as Moby repeatedly plunged into...

Author: By Dan Visel, CONTRIBUTING WRITER | Title: Punk on Ecstasy | 1/9/1998 | See Source »

...band and raising the intensity yet a few notches more. The lights dimmed, as they did after every song, and when they came back on, Dylan had replaced his electric guitar with an acoustic. The band followed suit, with the bassist picking up an upright bass and the drummer switching to brushes. It was well-timed transition; soon the audience was swaying to the country-tinged "Cocaine" and the waltz-time "Lonesome Death of Hattie Caroll." The true audience-pleaser, though, was a wonderful acoustic rendition of "Tangled Up In Blue," the most well-known song from his arguably best...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Aging Dylan Offers Intimate, Energy-Infused Collection of Rock Classics | 12/12/1997 | See Source »

...tunes, pausing only once to allow the leader to introduce his band. In fact, Dylan rarely even altered his facial expression, basically maintaining a deadpan scowl for the duration of the performance. Even his cues to the band were minimal, with only a stiff nod to the drummer signifying the end of a tune...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Aging Dylan Offers Intimate, Energy-Infused Collection of Rock Classics | 12/12/1997 | See Source »

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