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...last blues number, two hours later, Ivers joined them. The substitute drummer "Turk" had by now jelled into Chaka's style and was wielding great flourishes of beats expertly, Ivers going into his characteristic end-of-a-phrase gesture of jerking open his left arm as if on reflex, Gilbert Moses playing sweet and sharp riffs--the blues was thriving and one wondered a little about the need for "new rock...

Author: By Salahuddin I. Imam, | Title: New Rock Concert | 12/19/1968 | See Source »

...unfit for useful work. It looks like you're going to be a ne'er-do-well, so you get together with some other kids who are also ne'er-do-wells and form a rock group. At your first recording session another group asks you to be their drummer. You join them; change your name to Ringo; and escape oblivion for fame and influence...

Author: NO WRITER ATTRIBUTED | Title: Your Life etc. | 11/20/1968 | See Source »

...BLAKEY WITH THE ORIGINAL JAZZ MESSENGERS (Jazz Odyssey). Drummer Blakey was the spark that lit up several small groups in the '50s. Here, reissued, is a particularly successful set, with one of the finest Blakey combos-Horace Silver on piano, Hank Mobley on tenor sax, Donald Byrd on trumpet and Doug Watkins on bass. They play hard-bop tunes (two of which are by now familiar Silver compositions), while Blakey drives them on with a flavoring of calypso or a tight break to emphasize the beat. On InfraRae and Hank's Symphony, his throbbing rolls and cymbal cadences...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

MILES DAVIS, MILES IN THE SKY (Columbia). Some small changes have crept into Trumpeter Davis' newest recording. He plays meaner, less prettily. In Paraphernalia, Guitarist George Benson augments Davis' usual group, which consists of Pianist Herbie Hancock, Tenorman Wayne Shorter, Bassist Ron Carter, Drummer Tony Williams. In Stuff, Hancock plays an electric piano that, coupled with Williams' steady rock beat, gives an earthier, more organic undertow to the trumpet's aerial treks...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

ELVIN JONES, PUTT'N' IT TOGETHER (Blue Note). Drummer Jones, who played with the late John Cohrarie, became famous for his fiery musical duels with the master. With Jimmy Garrison on bass and Joe Farrell splitting three ways on tenor, soprano sax and flute, Jones here uses his flashy technique to inspire, shape and embroider a harmonically free, three-way dialogue. Reza and Jay-Ree brim with bright looping arches of sound reminiscent of Ornette Coleman. Soloing on Kei-Ko's Birthday March, Elvin gets under way with a humorous drum-corps pattern that soon turns into...

Author: /time Magazine | Title: Television: Oct. 11, 1968 | 10/11/1968 | See Source »

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