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...album. Although the result is not always pure beauty (the low-fi, grating instrumental opening of the track “In the Morning” is a bit headache-inducing), one can’t resist jumping up and dancing. The melodies are not particularly complex, but drummer Chris Ellul and bassist Spencer Page have a solid feel for the blues beat. The Heavy draws liberally from tradition, and they have the musical chops, soul, and energy to pull it off. They poke fun at their own contemporary music scene with tracks like “Colleen...

Author: By Meredith S. Steuer, CONTRIBUTING WRITER | Title: The Heavy | 4/25/2008 | See Source »

...with well-known figures in jazz. A music concentrator, Schachter also notes that guest artists help students understand the intensity of work necessary to make a life as a musician. Schachter, who has played with clarinetist Don Byron, singer Jon Hendricks, Latin jazz pioneer Eddie Palmieri, trumpeter Brian Lynch, drummer Bobby Sanabria, and pianist Geri Allen, also notes a more ephemeral benefit. “There’s this kind of energy or magic that comes out of meeting someone who’s doing what you’re interested in doing and loves it so much...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: It Don't Mean a Thing... | 4/17/2008 | See Source »

...guests possess both the awkwardness and the warmth that such a situation would invite. As a result, the middle part of the film is the most nuanced and engrossing portion. Though Zainab—a jewelry-maker from Senegal—seems initially cautious and afraid of Vale, Syrian drummer Tarek befriends him quickly and teaches him to play the djembe, an African hand drum. Tarek and his drums fill the void in Vale’s life in a way that his painful piano lessons never could. We discover later that Vale only took up the piano in hopes...

Author: By Jessica R. Henderson, CONTRIBUTING WRITER | Title: The Visitor | 4/17/2008 | See Source »

...marks, 2003’s “Thickfreakness” and 2004’s “Rubber Factory,” distilled their blues formalism and lo-fi aesthetic into a highly evolved and deeply primal sound. But in fall 2006, singer-guitarist Dan Auerbach and drummer Patrick Carney were approached by eccentric producer-auteur Brian Burton (a.k.a. Danger Mouse)—best known for his work in Gnarls Barkley—to collaborate on a project with rock legend Ike Turner on the latter’s comeback album. Turner passed away in late...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Black Keys | 4/11/2008 | See Source »

...each member of this guitar-and-drums duo contributes equally to the group’s mellow indie-folk sound. And presumably, the fact that neither claims to be the other’s ex-spouse makes things less complicated. The Dodos are singer and songwriter Meric Long and drummer Logan Kroeber. Unlike Meg White, Kroeber actually seems capable of keeping time and playing his instrument. He forms a significant and complicated part of the group’s sound, which favors the use of percussive elements as more than just backing. “Visiter” contains soothing...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Dodos | 4/3/2008 | See Source »

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