Word: drums
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Dates: during 1970-1979
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...principal personification of his distrust, his key corrective agent, as well as Grass's most famous character, is Oskar the dwarf, the protagonist of his first novel, The Tin Drum. The book sold more than 1,500,000 copies around the world (about 600,000 in the U.S.), as appalled and fascinated readers in 16 languages absorbed the dwarf's devastating, knee-high view of the rise and fall of the Third Reich. Oskar's "sing-scream" could shatter glass. His magic drum carried him back and forth in time. One of his best tricks was breaking up Nazi rallies...
...typically grim, fairy-tale props in Dog Years (1963), for instance, were magic spectacles that allowed postwar German children to see exactly what their innocent parents were actually doing between 1939 and 1945. The cruelest metaphor for greedy indifference occurs toward the end of The Tin Drum, when Oskar's father is killed in his grocery cellar by occupying Russian forces. His body falls across the path of some ants that have set up supply lines to a smashed sack of sugar. "The ants found themselves facing a new situation," Grass wrote, "but, undismayed by the detour, soon built...
...Grass's publishers managed at the very beginning to find one of the world's most talented translators for the task. He is Ralph Manheim, 63, a multilingual American who lives in Paris. He won the P.E.N. Translation Prize in 1964 for Grass's The Tin Drum and has just received this year's National Book Awards prize for translating Céline's Castle to Castle...
...Moondance is a more mature album. Though there are no virtuoso instrumentals, the music is much stronger. Morrison has added another sax, piano, organ and congo drum-practically a small orchestra. But the music itself is not the vital part of Moondance. Its function is to provide a background for Morrison, as The Band did for Dylan. And this is superbly done; the instrumentalists almost, but never quite drop out of sight...
...forces that appear to threaten their identities. The problem here is that few Americans know who and what they really are. That is why few of these groups-or at least few of the children of these groups-have been able to resist the movies, television, baseball, jazz, football, drum-majoretting, rock, comic strips, radio commercials, soap operas, book clubs, slang, or any of a thousand other expressions and carriers of our pluralistic and easily available popular culture. And it is here precisely that ethnic resistance is least effective. On this level the melting pot did indeed melt, creating such...