Word: drums
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Dates: during 2000-2009
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...Parks' defiance led immediately to a 381-day bus boycott--drum majored by a 26-year-old Rev. Dr. Martin Luther King Jr.--and ultimately to a nine-year march culminating in the Civil Rights Act of 1964, which forced red states to comply with the Brown v. Board of Education decision rendered a decade earlier. Her righteous indignation literally changed the world. Long before the Internet, the mother of the civil rights movement cast her global net from the long walk to freedom of Nelson Mandela and black South Africans to the temerity of Chinese students who, against tanks...
...Feels” is still marked by the serendipitous noises that adorn all of the Collective’s albums, but they are invariably the icing on a tortuous pop cake. “Did You See the Words” starts the album with energized guitar riffs, driving drum rhythms, and a twinkling piano that surge into place like watch gears...
...initially expresses itself in the song’s languid tempo. Reminiscent of Icelandic dronesters Sigur Ros in its grandeur, “Dondante” builds until James’ voice drops out and a guitar plays a mellow riff-based solo. At the 3:29 mark, light drum hits set up a truly breath-taking vocalization of deceptively simple words: “You had me worried/so worried that this would last.” James’ ragged voice is so captivatingly emotional that just that one line suffices. The group then builds into a high-register...
...Rebellion (Lies).” Not an outright failure, but undeniably a clip starved for imagination. There was probably no budget, so you forgive them, even though the only thing in the whole video keeping your attention is the fuzzy glow between Richard Parry’s drum and his drumstick, and even that can’t get you through the unintentionally humorous blanket-shaking scene. A few months later, “Neighborhood #3 (Power Out)”: basically a bunch of impish little kids cutting power lines around town, pissing off the adult-types. The animation...
...jazz pedigree, his compatibility with the Charles oeuvre seems questionable. But while his twistedly vertical guitar style may have conflicted with the source material at times, nearly everyone at the show thought it was a success. This past Thursday and Friday, John Scofield (guitar/mastermind), John Benitez (bass), Steve Hass (drums), Gary Versace (keys/Hammond) and Meyer Statham (vocals/trombone) played four shows at the Charles Hotel’s renowned Regattabar jazz club. The shows were part of a 17-date tour in support of Scofield’s latest album, entitled “That’s What I Say?...