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...usually fairly easy for a movie critic to drum up a date for a screening. But persuading someone to join you at the film adaptation of Cormac McCarthy's solemn, searing postapocalyptic novel The Road is apparently akin to asking if they'll help you transport nuclear waste. One friend essentially declared that even if Pauline Kael rose forth from the grave to endorse this cinematic spectacle of father and son wandering a ruined world in search of uncertain sanctuary, she still would...

Author: /time Magazine | Title: The Road on Film: Beautiful, Bleak | 11/30/2009 | See Source »

...national stadium in the Guinean capital, Conakry, it's oddly quiet - the only sounds that can be heard are the muffled beats of a drum band practicing nearby. The other strange thing in a dusty and garbage-strewn city is how clean the stadium looks. Many of the walls and exit tunnels have been freshly painted. That's the only sign of what happened here on Sept. 28 when human rights groups say Guinea's year-old military junta opened fire on an opposition rally, killing 157 people. Locals say there was so much blood, the stains soaked into...

Author: /time Magazine | Title: In Guinea, Hopelessness After the Massacre | 11/28/2009 | See Source »

...both Grohl and Homme, although this serves only to reiterate the superiority of the latter. Grohl’s over-enthusiastic and humorless singing pales by comparison with Homme’s sophisticated sneer, and fortunately most of the album sees Grohl consigned to his natural place, behind the drum kit, providing successfully muscular, if surpisingly understated, beats. The other clear choice for a single, “New Fang,” tells a typical rock story of youthful indulgence and masculine indiscretions—“Sometimes you break a finger on the other hand / Think...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Them Crooked Vultures | 11/20/2009 | See Source »

...album’s finest tracks, “Even Now” and the moody closer “Hell On the Throat,” excel above the rest due to the naked emotion and simplistic strumming, enhanced only occasionally with a shimmering synth or lonely drum beat. On “Even Now,” Carrabba softly sings, “Even now, I can feel your eyes / Watch me as I strum / Much too late at night / And I always can find you again.” His gentle, wavering tone on such tracks complements...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Dashboard Confessional | 11/13/2009 | See Source »

...musical’s opening scene sets the sinister tone that persists throughout the production. A soft drum ominously begins to pound, a heartbeat of foreboding that only Edgar Allen Poe could inspire. The lighting, formed of flickering lanterns and the soft green glow of midnight, calls to mind a dungeon, to greatly sinister effect...

Author: By B. marjorie Gullick, CONTRIBUTING WRITER | Title: ‘Nevermore’ Reimagines Poe | 11/13/2009 | See Source »

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