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Word: drypoint (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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...WORKS ON EXHIBITION in the gallery mostly use a combination of different etching techniques--aquatint, monotype, lithography, drypoint--are mostly large (approximately 40" by 28") and all expensive (ranging between $5000 and $7500). The techniques used in the creation of the pictures belie the apparent simplicity of some of the design. Miro adds further texture and richness to the design by using drypoint engraving, embossing and carborundum, a graining stone that makes heavy furry lines...

Author: By Diana R. Laing, | Title: A Surrealist's Metamorphosis | 6/5/1978 | See Source »

This exhibit of Avery's work now at the Fogg Museum gathers together prints of all 60 of the images he produced between 1930 and 1955. Avery worked in the opposing techniques of woodcut and drypoint: in drypoint, the artist cuts into copper the line he wants to print, while in a woodcut he digs out what he doesn't. The results in each style are very different, but Avery has command of both techniques. He controls his line to model and shade, indicating the subtleties of mass and movement...

Author: By Kathy Garrett, | Title: Horizons | 4/24/1974 | See Source »

AVERY'S SUBJECTS manifest this energy because he forms them with lines that breathe and kick and cry with the force of a newborn child. In his drypoint "Umbrella by the Sea" (1948), he expresses the size and movement of an ocean by the spacing and fluidity of the line alone. In the foreground he makes his lines wide and gently curving, like lapping waves, gradually becoming choppier as he moves out to sea. Then lines become crowded, quick slashes of his stylus. In the same way, in his three reclining nudes (1939, 1941 and 1948), the surety...

Author: By Kathy Garrett, | Title: Horizons | 4/24/1974 | See Source »

Avery suffered a heart attack in 1949, which forced him to turn from the strenuous drypoint technique to the easier one of cutting in wood. He produced eighteen woodcut images in six years, mostly birds or seascapes almost childlike in their simplicity. Again, in search of energy, Avery strives not for sophistication but for the power of a basic form--a way to demonstrate the vitality of his world. He expresses all the pride and grandeur of a fan-tailed pigeon with nine zig-zagged lines. A dancer caught in mid-turn prepares to leap from the page...

Author: By Kathy Garrett, | Title: Horizons | 4/24/1974 | See Source »

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