Search Details

Word: drypoints (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...shadowy imagery. He juggled lines - etched, and engraved - according to what he drew, sometimes combining all three in one print. He worked the delicately teethed lines into the most careful description-to weave the wrinkles in a face or show the heaviness of a drapery. He employed rougher drypoint or engraved lines for bolder cuts...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

Stylistically, Picasso runs the gamut from the murky chiaroscuro of Rembrandt to a spidery line that Steinberg could be proud of. Technically, the prints are a virtuoso performance in which the artist often combines various techniques-etching, aquatint, drypoint-on the same plate...

Author: /time Magazine | Title: Graphics: Erotica at 87 | 1/31/1969 | See Source »

...early age--his 1898 "Self-Portrait with Soap Bubbles" is an idyllic scene of the fourteen-year-old Beckmann, facing sideways, blowing soap bubbles across a whole countryside of space. This leisurely, carefree, open stance does not fit him for long, for within three years he produces the 1901 drypoint self-portrait, showing himself poised in a scream. All the features of the face in this self-portrait work together to vent this scream--all except the eyes. The drawn muscles of the face, the stretched mouth, the twisted lips and the lines in the forehead leading down past...

Author: By Rick Chapman and Paul A. Lee, S | Title: BECKMANN | 11/20/1964 | See Source »

Elastic Medium. Argentine-born Mauricio Lasansky, 48, who has created a U.S. printmaking capital at the department of graphic arts of the State University of Iowa, often combines acid etching, drypoint and engraving in a single work to express the somber subjects that are his specialty. Says Lasansky: "The print is a medium which you can fight your way through. It is very elastic; that is why I like it. It leaves quite a lot of room for improvisation. I use practically every technique of the last 400 years, plus a couple we are developing here in Iowa...

Author: /time Magazine | Title: Art: Multiplied Originals | 2/1/1963 | See Source »

Self-Portrait: When I Was Sick, Louis Corinth's etching with drypoint, magically creates--through brisk, vibrant strokes--the chilling atmosphere of the sick room. Kokotte by Otto Dix, is characterized by evanescent technique and incisive vision, not unlike Corinth's basically realistic style...

Author: By Ian Strasfogel, | Title: Two University Exhibits | 11/17/1959 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | Next