Search Details

Word: du (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Married. Jacqueline Du Pré, 22, Britain's ample (5 ft. 9 in.), exuberant mistress of the cello; and Daniel Barenboim, 24, her occasional concert partner; in Jerusalem, after Jacqueline converted to Judaism...

Author: /time Magazine | Title: Milestones: Jun. 23, 1967 | 6/23/1967 | See Source »

This can be most readily seen in the phenomenon of Harvard musical stage productions. Since Cosi fantutte at Leverett two years ago, there has been a steady escalation in the size and difficulty of productions. Last year there were productions of Stravinsky's L'Histoire du Soldat. Mozart's Don Giovanni and Britten's The Turn of the Screw: this year it was hard to decide whether to be more impressed by Leverett's production of The Marriage of Figaro or the Bach Society-Music Club concert performance of Fidelio. The more ambitions these projects become, the more time, money...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

Paris' Gare du Nord to the center of Brussels aboard the He de France or the Etoile du Nord, the busy businessman can unwind in uncrowded 40-passenger cars; he gets first-class meals served at his seat, can dictate to a TEE-provided stenographer and make telephone calls...

Author: /time Magazine | Title: Railroads: Luxury on the Track | 6/2/1967 | See Source »

...Travail du Peintre (1957) is a cycle of seven songs on poems by Paul Eluard, each of which portrays a painter of this century: Picasso, Chagall, Braque, Gris, Klee, Miro, Villon. Despite their date, they, too, hearken back to an earlier period and have a great deal in common with the songs of Faure. Miss Fuerstman, who is studying for a Masters in voice at the Manhattan School, failed to achieve a sense of phrasing in the more declamatory songs; elsewhere, however, she exhibited a rare blend of spirit and control. Both compositions of Poulenc suffered from problems of balance...

Author: By Robert G. Kopelson, AT KIRKLAND HOUSE FRIDAY NIGHT | Title: Twentieth Century Chamber Music | 5/23/1967 | See Source »

...Opale's appearances become progressively vicious during the first two-thirds of the film; but a flashback reveals the tragic truth of Cordelier's folly; when he first became M. Opale, he felt liberated, physically light as air, uninhibited for the first time. Barrault, a brilliant mimist (Les Enfants du Paradis) plays Opale-Hyde as if he were doing a Chaplin imitation. Only in successive transformations does Opale become dangerously depraved, murderous, and maniacal...

Author: By Tim Hunter, | Title: 'French Cancan' and 'The Testament of Doctor Cordelier' | 5/22/1967 | See Source »

Previous | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | Next