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...only one most moviegoers know. But there is another, sparer sort, where penetrating gazes take the place of explosive technical virtuosity. It is caviar to the Hollywood popcorn, and for 40 years ROBERT BRESSON was its finest and most influential purveyor. In 13 features from Les Anges du Peche (1943) to L'Argent (1983), the Frenchman who called himself a "jolly pessimist" went his own thorny way and, through his severe, seductive example, established the dominant style of a minority art form. His films, with little dialogue and music, are in effect silent pictures; they are certainly moving pictures...

Author: /time Magazine | Title: Eulogy: ROBERT BRESSON | 12/31/1999 | See Source »

...Du Bois Professor of the Humanities Henry Louis "Skip" Gates has joined the presidential campaign of Al Gore '69 as an "informal advisor," Gore aides said this weekend...

Author: By Marc J. Ambinder, CRIMSON STAFF WRITER | Title: Gates to Advise Gore on Race for Presidency | 12/20/1999 | See Source »

...recruiters also emphasize the strength of the minority community at Harvard, which is rooted, administrators say, in the W.E. B. Du Bois Society...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Keeping the Pipeline Full | 12/16/1999 | See Source »

...rewarded for my patience the next night when we caught the new Cirque du Soleil production, "O," at the decidedly upscale Bellagio hotel ($100 a ticket!) It's insanely high-priced, but if you've never seen a Cirque du Soleil show in your life, the experience is priceless. There are only four productions currently on stage in the U.S.--"O" at Bellagio, "Mystere" at Treasure Island in Las Vegas, "La Nouba" in Orlando and "Alegria" at the new Biloxi resort in Mississippi. I've seen the first three and "Mystere" is definitely my favorite--but that, perhaps, is because...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: SOMAN'S IN THE [K]NOW | 12/3/1999 | See Source »

...theme of the Cirque du Soleil experience is always the same: only from periods of intense chaos do we ever get the brief revelation of genius. Between each acrobatic or Herculean feat of circus theatrics (these beat anything, anything you'll ever see in Barnum and Bailey--in "Mystere," there's an entire sequence of bungee jumping acrobats costumed as birds), you're treated to a two or three minute interlude of dazzling fantasy: a parade of stilted clowns dressed as elephants, a giant inflated snail floating across the stage, a five-foot baby bouncing a giant ball around...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: SOMAN'S IN THE [K]NOW | 12/3/1999 | See Source »

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