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...beyond the Pacific Northwest transformed Seattle into an adjective inextricably linked to the word sound, a marketable life-style packaged in flannel and devoid of shampoo. What turns a city into a seminal music scene? Minneapolis, Minnesota, the home of proto-alternative rockers like the Replacements and Husker Du, had its moment a few years ago. So did Austin, Texas, ground zero for the Butthole Surfers; and Athens, Georgia, the birthplace of R.E.M. and the B-52s. One necessary ingredient they all share is a healthy slacker class. Like Seattle, they are home to large universities, and they have been...
...looks like a Mother Teresa to the emotionally homeless. The fascinating thing about Madonna is that she is all-real and all-fake -- in other words, pure show biz. Girlie Show -- at once a movie retrospective, a Ziegfeld revue, a living video and an R-rated takeoff on Cirque du Soleil -- opens with Smokey Robinson's Tears of a Clown and closes with Cole Porter's Be a Clown. Pierrot is your silent host; the calliope music announces that this is a three-ring circus of clowning around. And Madonna, once the Harlow harlot and now a perky harlequin...
...government has made ambitious plans to tackle the problem head-on. French Health Minister Roselyne Bachelot announced that she would scrap France's relatively permissive rules on sales of alcohol to youths. She told the Sunday paper Journal du Dimanche that she would impose a "total prohibition of alcohol sale to minors" by early 2009, and would also ban open bars during celebrations. Open-bar bashes - where participants can drink unlimited quantities of alcohol in exchange for a flat fee - have become, Bachelot says, a "classic element of student parties that encourages binge-drinking." All that underage chugging, Bachelot says...
...fell out of favor with critics--and the public--in the 1960s, French filmmaker Jean Delannoy directed nearly 50 films during his career, including critical successes such as L'Eternel Retour and Dieu a Besoin des Hommes. In 1954 he was famously felled by a scathing review in Cahiers du Cinéma by critic (and later filmmaker) François Truffaut, who accused Delannoy of clinging to an antiquated and pedestrian style. Yet in 1946, before Truffaut's time, Delannoy earned a Palme d'Or at the Cannes Film Festival for his most notable work, La Symphonie Pastoral, the tragic love...
Professor Henry Louis “Skip” Gates Jr., director of Harvard’s W.E.B. Du Bois Institute, who was at Yale with Hudlin’s brother, said he knew the VES concentrator as “Warrington’s kid brother who was doing film at Harvard...