Word: dub
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Russians invade Czechoslovakia? If the Moscow newspaper Sovetskaya Rossiya is to be believed, it was mostly because they could no longer abide the freedom that Alexander Dubček had granted the Czech press. "The reintroduction of bourgeois press freedom led to the most destructive consequences," declared the Moscow paper in an editorial explaining the invasion. While it lasted, moreover, it was a freedom exercised furiously, with a passion pent up by two decades of enforced Communist conformity. And, despite the Russian tanks, it is not yet completely dead...
Determined, as Reportér Magazine Editor Stanislav Budin described it, to "wed freedom and Communism," the press probed into every part of Czech life. It examined housing problems, urged a return to limited free enterprise, promoted the democratic reforms sought by Dubček and his liberals...
Heretical Clippings. The fruits of such journalism were quickly apparent. Circulation doubled and tripled. Czechs waited in line at newsstands, tuned in excitedly to newscasts on Czech radio and television. To the Kremlin, however, it was all an insufferable threat. In May, Dubček was summoned to Moscow, where Leonid Brezhnev thrust a stack of heretical clippings at him and, shaking with rage, told him that "this sort of thing has got to stop." But it did not stop. Dubček refused to restore censorship, contented himself with asking newsmen to tone down their attacks for a while...
...others have carried on. After Russian troops marched in to close them down, most Czech papers published underground editions. Television newscasters managed to broadcast from studios over portable army transmitters, and C.T.K., the government news agency, opened a clandestine telex service. Editors sneaked past Russian surveillance to confer with Dubček's cooperative aides, promised to try to appease the Russians by imposing self-censorship...
...their art. To solve their problem, Johnson chose a style that he terms "Mediterranean modern," designed the house as a series of modular galleries topped with lifted cross-vaults. These give it a vague resemblance to Istanbul's domed Hagia Sophia, which has led some Washington wags to dub it "Bauhaus Byzantine...