Word: dublin
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Dates: during 1950-1959
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...half-century as an English professor, Stanislaus was the invisible man in Joyce's life. In this book, he emerges as the perfect foil. Joyce was mercurial, Stanislaus was phlegmatic. Joyce drank, Stanislaus was abstemious. Joyce was referred to as "Sunny Jim," Stanislaus as "Bile Beans." In the Dublin days with which this memoir begins and ends, one belief surmounted all brotherly differences -the belief that Jim had genius...
Even as a baby, Jim did the star turns at their home in Bray, a seaside village near Dublin. In a morality play staged in the nursery, little Jim wriggled across the floor as the devil, with a rolled-up sheet for a tail, and easily stole the show from Stanislaus' staid Adam and a sister's Eve. It was a pleasant middle-class childhood until Papa Joyce began dragging his brood on an alcoholic long day's journey into night...
Juno and the Paycock (Angel, 2 LPs). With a foreword by Playwright Sean O'Casey, one of the century's great tragicomedies boils up again from the Dublin slums. Siobhan McKenna, as Juno, has in her voice all the ache and sorrow of Cathleen Ni Houlihan; Seamus Kavanagh makes his Captain a lovable buffoon for most of three acts and - at the right moment - turns him into a villain; Cyril Cusack whines and wheedles his way magnificently into the role of Joxer Daly...
...Roger Casement make him a great Irishman. Many of his countrymen believe him to be so and periodically ask the British government to yield custody of his remains, which lie in quicklime within the walls of Pentonville Prison. Casement was hanged for treason in 1916, three months after the Dublin uprising of Easter Week. In the midst of World War I, he had landed from a German submarine on the coast of Kerry, ostensibly to foment rebellion. A boatload of rifles was to be landed after him but the vessel was intercepted by British warships; Casement was spotted...
...first of the plays, The Words Upon The Window-Pane, is far and away the best. Written in prose and naturalistic in form, the work reflects Yeats' lifelong preoccupation with spiritualism by restaging a seance in modern Dublin. The seance is disturbed by the intrusion of a "hostile spirit," who turns out to be Jonathan Swift. It is a wonderfully gripping work, with an atmosphere both eerie and convincing...