Word: dubstep
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Dates: during 2010-2019
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...rather, it tries to be. “Odessa” is perhaps the best thing Caribou has ever released—a throbbing, dubstep-inflected track whose breathy vocals float over a bed of fluid bass and punchy, off-kilter percussion. And the two tracks that follow it, “Sun” and “Kaili,” form a brilliant triple act with “Odessa,” venturing daringly into various subgenres of dance but with a firm safety line linking them to Caribou’s dreamy home territory. Soon...
Returning to their British roots, TNP have referenced the Benjamin Britten opera “Peter Grimes” as an influence for their latest forray into musical experimentation. Fusing these operatic overtones with London electronica movements—dubstep and dancehall—Barnett has conceived an album which ricochets from ostentatious and oppressive climaxes to moments of melodic escapism. The result is a somewhat tiring journey, but it is a ride worth taking...
...presence, though the instrumental backdrop serves to credit Barnett’s voice. His already rough sound seems even lazy, yet effective, as he murmurs and croaks into the microphone. Losing the operatic immensity but retaining many of its stylistic elements, this track achieves a hedonistic unity between the dubstep beats and classical influences—a unity that is missing on other tracks...
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