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GASTON CHAISSAC-Cordier & Ekstrom, 978 Madison Ave. at 76th. Chaissac is the town cobbler in Vix, France. He writes poetry, has been a friend of Dubuffet for 20 years. His art is marked by eccentricity and a sparkling imagination. With wash and wallpaper he wraps strange figures in startling ambiguity: one picture suggests both the Crucifixion and a scarecrow. In one room eight of his skinny wooden totems stand around and stare from odd, misshapen faces. Through June...

Author: /time Magazine | Title: Art: Art in New York: Jun. 5, 1964 | 6/5/1964 | See Source »

...JEAN DUBUFFET-World House, 987 Madison Ave. at 77th. Dubuffet has rushed from mixed pastes and putties to butterfly-wing collages to painting with knives and forks. Here shown are examples of his spirit for adventure and experiment, including works from the Arabe, Texturologie and Personnage series. Oils, assemblages, gouaches and drawings, done between 1943 and 1960. Through April...

Author: /time Magazine | Title: Art: Art in New York: Mar. 27, 1964 | 3/27/1964 | See Source »

...addition to running 87-year-old Maremont, which was founded by his father, he has interests in paper and in a maker of Christmas-tree balls, has backed a Broadway musical (The Most Happy Fella), and owns a chunk of the Saturday Review. His collection of modern art contains Dubuffet, Braque, Leger, Gris, Pollock, Arp and Kline, is valued at more than...

Author: /time Magazine | Title: Corporations: A Man of Many Parts | 3/20/1964 | See Source »

...Shabda (opposite), for example, means "non-separateness from the impersonal oneness of Brahma" and "a meaningful sound or syllable." The scruffy textures of the paintings suggest weather-beaten walls or the aged face of the earth. Like the art brut, or raw, unpolished art, of France's Dubuffet or Spain's Tapies, these Indian moderns seem to be topographies scarred by glowing fissures, tracks of the varieties of human experience...

Author: /time Magazine | Title: Art: Chant of Centuries | 3/6/1964 | See Source »

...Matter of Esthetics. On a more modest scale, Architect Gordon Bunshaft, chief designer for Skidmore, Owings & Merrill, also had a problem with paintings. His were Picasso, Miro, Modigliani, Dubuffet, and they all had to be fitted into his five-room rental apartment on East 66th Street. He chose "neutral" furnishings "to let the paintings do the coloring." To create more space, Bunshaft removed a wall separating the entranceway from the dining area. His TV set is placed behind a sliding Dubuffet, and from behind a Miro comes the sound of his hi-fi speaker. By using stainless steel, Formica...

Author: /time Magazine | Title: The City: Living It Up | 4/13/1962 | See Source »

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