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...Flemish Baroque painting ever mounted in the United States, presenting about 120 paintings by Rubens and his most important pupils. Robert Cumming: Cone of Vision. Through Nov. 28. Focuses on the remarkably consistent and the objects he has chosen to focus on - the disc, cone, boat, house and chair. Duccio to Delacroix: Masterpieces of European Paintings from the Collection. Through Jan. 2. Includes over 80 European paintings. African and Oceanic Sculpture: Treasures from a Private Collection. Through July 3. The objects are mostly wood and terracotta, ranging from a miniature wooden mask from Zaire to a monumental yoruba veranda post...

Author: NO WRITER ATTRIBUTED | Title: Not at Harvard | 11/11/1993 | See Source »

...perennially astonishing vision of Jonah in the churning waters, about to be swallowed by the whale -- also drew figures like slugs. Still, when you look at the figures in Ryder's The Story of the Cross, whose "awkward posture and flattened quality" the catalog rather optimistically likens to Duccio and Cimabue, you know that any such comparison is impertinent. The Ryder is pious kitsch...

Author: /time Magazine | Title: Art: America's Saintly Sage | 11/26/1990 | See Source »

...American capitalism wanted models of political or cultural patronage, it was to Lorenzo de' Medici, prototype of city bosses, that they turned. Siena seemed less Promethean, less inventive. Its great moment in painting, by common consent, had come in the late 13th and 14th centuries, with the work of Duccio, Simone Martini and the Lorenzetti brothers. Then social and economic catastrophe struck in 1348, when the Black Death wiped out more than half its population. While it is true that Sienese painting and sculpture for the next 150 years did not have the extraordinary charge of radical invention that pervaded...

Author: /time Magazine | Title: Art: An Escape to Renaissance Siena 15th century painting is a delight | 12/26/1988 | See Source »

...sincere, and there is a kind of forcible vulgarity, as American as a meatball hero, that takes itself for genius; Jacqueline Susann died believing she was the peer of Charles Dickens. "My peers," Schnabel told the New York Times last winter, "are the artists who speak to me: Giotto, Duccio, Van Gogh." Doubtless this list will change if he tries a ceiling, but Schnabel has never learned to draw; in graphic terms, his art has barely got beyond the lumpy pastiches of Max Beckmann and Richard Lindner he did as a student in Houston. The dull, uninflected megalomania...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...Duccio's Madonna, $25 million...

Author: /time Magazine | Title: Museums: Pricing the Priceless | 7/2/1965 | See Source »

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