Search Details

Word: duchamp (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...There's always Marcel Duchamp's leggy nude...

Author: /time Magazine | Title: Letters, Jul. 11, 1949 | 7/11/1949 | See Source »

...Name. Villon was born Gaston Duchamp. He took on the name "Jacques Villon" back in the '90s, when he was painting in secret on Montmartre and trying to convince his father, a stern notaire, that he was really attending law school. Two brothers and a sister eventually followed Jacques to Montmartre. One of them, a sculptor, called himself "Du-champ-Villon" but Suzanne and Marcel (Nude Descending a Staircase) Duchamp braved whatever wrath was left in their disappointed father and painted under their own names...

Author: /time Magazine | Title: Art: Old Toast | 5/16/1949 | See Source »

There is also a sequence by Mareel Duchamp derived from his eubistic painting "Nude Descending the Stairway," and Alexander Calder and Dave Diamond have a hand in other portions. The dream I found most interesting, if only for its simple, washroom symbolism, was Mr. Richter's "Nareissus" though to identify oneself with any particular dream is dangerously revealing, I suppose...

Author: By George A. Lelper, | Title: Dreams That Money Can Buy | 10/28/1948 | See Source »

...been 23 years since Poet Andre Breton rattled the saucers in Left Bank cafes with his "First Manifesto of Surrealism," a compound of Freudianism and calculated nonsense. In those days, Marcel Duchamp (who drew U.S. catcalls in 1913 with his Nude Descending the Staircase) got high critical acclaim when he filled a birdcage full of marble cubes, stuck in a thermometer, and entitled it Why Not Sneeze? Duchamp and Breton had worked together for months assembling the screwy props for last week's screwy show...

Author: /time Magazine | Title: Art: Remembrance of Things Past | 7/21/1947 | See Source »

...zanne would doubtless be shocked by the modern artists who paint from imagination-and most of whom (Picasso, Braque and Duchamp) credit him with showing the way. For him, nature was everything, in spite of the fact that what he kept seeing in nature was, he insisted, "the cylinder, the sphere and the cone, all put into perspective...

Author: /time Magazine | Title: Art: Worried Master | 4/7/1947 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next