Word: duchamp
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Dates: during 1950-1959
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...Sand. To visitors last week, the foundry was still the place of weird shapes and leaping shadow that Duchamp-Villon and Brancusi knew well. In one room, sweet-smelling brown wax boiled on a rosy, potbellied stove. In the 100-ft.-long casting shed, coke fires hissed under fat crucibles shaped like medieval cannons, and overhead hoists trundled swaddled casts to their firing-pits. In a finishing room, a workman lay in the arms of a large bronze nude, reverently polishing her nose. In another corner, Marc Chagall supervised the application of a patina to his latest piece. Mustache quivering...
...MARCEL DUCHAMP, by Robert Lebel (191 pp.; Grove; $15), is billed as the "first full-scale study" of the Daddy of Dadaists. The scrappy text suggests that the author followed a method once used by Duchamp for writing music-he drew notes and musical markings out of a bag at random. But the volume makes up for the grab-bag text by reproducing almost every known work of Expressionist Cubist-Surrealist Duchamp, from his mustachioed Mona Lisa and famed Nude Descending a Staircase to the catalogue cover he decorated with a foam-rubber breast and the caption: "Please touch...
...Calder took a good look at the paintings of another friend, Piet Mondrian, and concluded: "Your rectangles should vibrate and oscillate." Then he rushed to his cluttered studio and went to work. When Painter Marcel (Nude Descending a Staircase) Duchamp saw the results -brightly colored compositions of sheet metal, wire, steel rods and wood, moving by use of motors, pulleys or wind -he dubbed them "mobiles." Sculptor Jean Arp reacted by calling the nonmoving sculptures "stabiles." Thus were created two of the best-known terms of modern sculpture...
Collector Guggenheim's vast private museum embraces, as British Critic Sir Herbert Read once put it, "all the major movements which since about 1910 have transformed the very concept of art." Items: Marcel Duchamp's Lonely Boy on Train, from the same period as his famed Nude Descending a Staircase; examples of the 1913 Moscow Suprematist movement by Founder Malevitch and Follower Lissitzky; key works by Mondrian, Kandinsky, Braque, Picasso and Pollock. So famous is her collection that Venice's international Biennale once gave her a pavilion all to herself. Says Peggy: "It was wonderful...
...yeasty nihilistic movement of post-World War I days, seemed tired and tattered, its once-youthful stars well past middle age. Even the exhibits had lost most of their punch-Man Ray's ticking metronome with a staring eye impaled on the blade, entitled Object to Destroy; Marcel Duchamp's bearded and mustachioed version of the Mona Lisa; a mirror into which visitors peered until they saw the title, Portrait of an Imbecile...