Word: duchamp
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Dates: during 1960-1969
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...Marcel Duchamp lived his life with a touch of magic. He thrived on paradox, and invested contradiction with its own kind of inexplicable logic. His now-legendary Nude Descending a Staircase made him the succes de scandale of Manhattan's 1913 Armory Show. Duchamp responded by giving up painting. Next, he presented an unlikely series of "readymade" objects, including a snow shovel and a urinal, as artistic creations, and saw that idea take root. Then, having shaken the pillars of traditional esthetics, he abandoned art altogether. In 1923, not yet 40, Duchamp settled down to a life of chess...
THERE is a train track in the history of art that goes way back to Mesopotamia," Willem de Kooning once noted, with an artist's lordly disregard for details of engineering. "Duchamp is on it. Cézanne is on it." An imposing retrospective of his work, opening at the Museum of Modern Art this week, demonstrates that De Kooning, still hale and heartily turning out landscapes at 64, has already established his place along that main line...
...squash court of New York's Eli Club, Professor Bertram Langsam loses his head and thumb. Ferdinand Fields, an Episcopal rector partial to horror flicks, is decapitated in the men's room of a Long Island railroad train by a Peruvian sun priestess turned tramp. Whittaker Duchamp, bogus play producer, is more fortunate: he only loses an ear. The bloody trail is also strewn with a vengeful rabbi, scheming and pathetic women, a semi-transvestite, and other odd characters who are for the most part linked...
...more than postgraduate examples of those art school exercises in which students are called upon to copy older paintings or even to try to improve on them. A minority illuminate their topic unforgettably. By penciling a Dali-like goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either the pompous reverence with which she is surrounded or Leonardo's decidedly ambivalent attitude toward women. More recently, Miro, Magritte, Johns, Rauschenberg, Lichtenstein, Arman, Bruce Nauman and Walter de Maria have in various ways dealt memorably...
...process of celebrating "process," Sturtevant has also rendered herself somewhat ridiculous (she once slathered herself with shaving foam to pose for her version of Man Ray's photograph of Marcel Duchamp). This disturbs her not one whit. "I have no place at all," she says, with a faraway look in her eye, "except in relation to the total structure. What interests me is not communicating but creating change. Some people feel that a great change in esthetics in general is happening, though few understand exactly why. Mainly, there is a great deal of anxiety...