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THERE is a train track in the history of art that goes way back to Mesopotamia," Willem de Kooning once noted, with an artist's lordly disregard for details of engineering. "Duchamp is on it. Cézanne is on it." An imposing retrospective of his work, opening at the Museum of Modern Art this week, demonstrates that De Kooning, still hale and heartily turning out landscapes at 64, has already established his place along that main line...

Author: /time Magazine | Title: Art: DE KOONING'S MASTERWORK | 3/7/1969 | See Source »

...more than postgraduate examples of those art school exercises in which students are called upon to copy older paintings or even to try to improve on them. A minority illuminate their topic unforgettably. By penciling a Dali-like goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either the pompous reverence with which she is surrounded or Leonardo's decidedly ambivalent attitude toward women. More recently, Miro, Magritte, Johns, Rauschenberg, Lichtenstein, Arman, Bruce Nauman and Walter de Maria have in various ways dealt memorably...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

...process of celebrating "process," Sturtevant has also rendered herself somewhat ridiculous (she once slathered herself with shaving foam to pose for her version of Man Ray's photograph of Marcel Duchamp). This disturbs her not one whit. "I have no place at all," she says, with a faraway look in her eye, "except in relation to the total structure. What interests me is not communicating but creating change. Some people feel that a great change in esthetics in general is happening, though few understand exactly why. Mainly, there is a great deal of anxiety...

Author: /time Magazine | Title: Trends: Statements in Paint | 2/28/1969 | See Source »

Basically, it is music for the man who likes the plays of Samuel Beckett, the paintings of Marcel Duchamp and the films of Antonioni. It begins in a mood of tension: excerpts from Claude Levi-Strauss's writings on Brazilian mythology are read against a highly dissonant background. In the haunting second part, the name Martin Luther King is recited and sung over and over again, the syllables spilled out here, squeezed there, so that the name is uttered in an endless variety of permutations. In the impassioned third section, the vocalists speak and sing excerpts from Beckett...

Author: /time Magazine | Title: New Works: Words without Song | 10/18/1968 | See Source »

Died. Marcel Duchamp, 81, France's Grand Dada of art, whose iconoclastic paintings, "readymades" and other assemblages of the early 1900s became cryptic formulas for the future; in Neuilly, France. "An explosion in a shingle factory!" hooted a critic, and guards had to restrain angry art lovers when Duchamp's disjointed Nude Descending a Staircase went on view at Manhattan's 1913 Armory Show. The gaunt, enigmatic Frenchman proceeded to thumb his nose all the more vigorously at the pantheon of art. He painted a mustache and goatee on a Mona Lisa reproduction, put his own portrait...

Author: /time Magazine | Title: Milestones: Oct. 11, 1968 | 10/11/1968 | See Source »

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