Word: duchamps
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...concealment, distortion and deception techniques begin. But it was art, not military science, that led the way. "Armies realized they could put artists' knowledge of form, perspective and color to use," says James Taylor, historian at the Imperial War Museum. So the dislocations of Cubism (Jacques Villon and Marcel Duchamp served as camoufleurs) were a huge influence, as were the visual disruptions of Vorticism in the Dazzle patterns applied to Allied ships during World War I. Dazzle made it hard for the enemy to get a fix - a trait that could also help explain the rebellious appeal of camouflage patterns...
...exhibition, both Beuys and the Fluxus artists made use of the “multiple,” a term referring to a type of art that emerged in the 1950s and 1960s, influenced by Marcel Duchamp’s “readymades.”While Duchamp used industrially produced objects (i.e. a urinal) to break down the boundaries between “art” and ordinary commodities, Fluxus artists took Duchamp’s idea of the “readymade” one step further, choosing objects that are not mass-produced, but that appear...
...radio station in the basement of Pennypacker. On the cover of “Today,” the band’s second full-length, someone has scrawled in Bic pen: “Damon, the percussionist on this recording, gave a brilliant and cogent Duchamp presentation in the Jameson seminar last year.” It’s signed by someone named Vodka. Krukowski, for one, takes his duel life—and the above comment—in stride. “I bet I know who that is,” he says, laughing...
Every artist eventually finds his or her ideal medium. Manet had canvas; Duchamp painted on glass. Certain Lowell house seniors find inspiration in more mundane rectangles of plastic—their designs and text have recently graced many of the Lowell house dining hall trays. Brendan S. Millstein ’06, one of the artist-culprits, is known for textual art in the postmodernist vein. His trademark is the insertion of the word “tray” into an unrelated saying. “April Showers bring Tray Flowers” and the Shakesperean...
...Dada's large cast of characters through their portraits. These pictures, many of them photographs, bring a sense of reality to artists who would have none of it. The photographer Man Ray stands amid what appears to be a collapsed building, André Breton puts on huge spectacles, Marcel Duchamp and Joseph Stella pose together on a sofa, while Tzara, Max Ernst and Jean Arp relax on a Tyrolean holiday. In one photo Sophie Täuber-Arp holds the fanciful Dada Head, 1920, which she constructed; the actual painted sphere is just a few rooms away. Her husband...