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Kimmelman's ascent of Ste.-Victoire--a bit of a disappointment, as it turns out--sets off a chain of thoughts about how people can disagree on what is beautiful, which leads to a review of the challenges that Pablo Picasso and Marcel Duchamp made to the very idea of beauty. And that brings Kimmelman to reflect on the changing Western response to mountains--the Romans found them desolate, Martin Luther even thought they were part of God's punishment for man's fall--and how the dangers and hardship of a mountain trek, the very things that made mountains...

Author: /time Magazine | Title: Books: Climb Every Mountain | 8/28/2005 | See Source »

...from readily understood sources in pop culture. That would describe Basquiat's graffiti-derived gestures and Koons' life-size renditions of Michael Jackson and the Pink Panther. Even if you don't know about Basquiat's debt to the scribble paintings of Cy Twombly or Koons' connection to Marcel Duchamp, you know what graffiti and the Pink Panther are. You have...

Author: /time Magazine | Title: How Does '80s Art Look Now? | 3/28/2005 | See Source »

DIED. WALTER HOPPS, 72, visionary museum curator and influential advocate of American art, particularly the Los Angeles avant garde; of pneumonia; in Los Angeles. The first to create a museum exhibition for Frank Stella and a retrospective of Dadaist Marcel Duchamp, Hopps opened the Ferus Gallery with artist Ed Kienholz in 1957, which became a pre-eminent launching pad for such artists as Ed Ruscha and Robert Irwin...

Author: /time Magazine | Title: Milestones Apr. 4, 2005 | 3/27/2005 | See Source »

...Think of this as a kind of exorcism—a way to show multiple perspectives of sound and image. Plus there’s the whole idea of ambient cinema. I come out of a tradition of collage—Harry Smith, Marcel Duchamp, Charles Ives, all European/Anglo American traditions, meet stuff like GrandMaster Flash, Afrika Bambaata and the Bomb Squad that produced Public Enemy. Plus I remix old blues records for the show as well. The idea is to apply DJ technique to cinema, but to keep things well chilled...

Author: NO WRITER ATTRIBUTED | Title: Freestylin': DJ Spooky, a.k.a. Paul Miller, In His Own Words | 3/10/2005 | See Source »

Another unimpressive display was just as arbitrary and unbefitting. This one involved a fragment of an old coaxial cable in a vitrine. The exhibition text argued that Evans believed the object to be a portion of the cable belonging to the phone used by Marcel Duchamp during his stay in the United States...

Author: By Kimberly A. Kicenuik, CRIMSON STAFF WRITER | Title: MFA’s ‘Flashes’ Lackluster | 11/19/2004 | See Source »

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