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...Boston Tributary Theatre last night achieved one of the most potent productions of Elizabethan drama seen herabouts in its showing of Christopher Marlowe's "Dr. Faustus." Under the direction of Eliot Duvey, a group of relatively unknown players have infinitely outshined the Broadway luminaries of last week's "Duchess of Malfi," and in their organization, point the way for serious theatre groups everywhere...

Author: By S. A. K., | Title: The Playgoer | 10/5/1946 | See Source »

...Duchess of Bedford House the squatters marched in solemn ceremony, singing lustily to the obbligato of a small band headed by a Scottish bagpiper.* Then they were whisked away in buses furnished by the British Communist Party, which had decided to move them into an East End rest center maintained by the Government for building workers. But the building workers made a sad show of proletarian solidarity. With a cry of "Stand by your homes, lads," squads of threatened residents raced through the rest home, locking dormitory doors and posting guards...

Author: /time Magazine | Title: GREAT BRITAIN: Squat's End | 9/30/1946 | See Source »

London was engaged last week in a war of attrition with itself. Inside Abbey Lodge, the Duchess of Bedford apartments and other big blocks of swank lodgings were encamped hundreds of squatters who refused to come out. Squads of alert bobbies prevented food, clothing and reinforcements from going in. The Government had ordered water and electricity turned off. Lice, cold, dirt, lack of bedding and food reduced the squatters to a pale, disheveled, begrimed group...

Author: /time Magazine | Title: GREAT BRITAIN: Steady, Comrades | 9/23/1946 | See Source »

Hearst's King Features Syndicate last week paid $1,500 for the comic-strip rights to Duchess Hotspur, Rosamond Marshall's flashy, trashy, bedroomy bestseller about a flaunting, extravagant queen in 18th Century London. Purpose: to run it in November as a cartoon-&-text feature in the New York Mirror and other Hearst papers-now tapering off on their anti-dirty book campaign...

Author: /time Magazine | Title: The Press: Feature That | 9/23/1946 | See Source »

...English writer to be built on the grand Shakespearean scale." Readers, argues Cecil, may be overcritical of Hardy's often cumbersome, melodramatic writing if they fail to grasp that his work was modeled on the Elizabethan drama-on the wild and stormy tragedy of King Lear and The Duchess of Malfi rather than on he carefully constructed novel form of a Tolstoy or a Jane Austen. They may also become impatient with his pessimism if they do not realize that, unlike his great Elizabethan predecessors, Hardy was a reluctant atheist...

Author: /time Magazine | Title: Books: Cassandra in Wessex | 9/9/1946 | See Source »

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