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Word: dudeness (lookup in dictionary) (lookup stats)
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...matters worse, the narrator even makes fun of Charlotte, the novel’s principled princess. When drunk for the first time, Charlotte starts to say something, forgets it, and the narrator dryly explains: “the truth was, she couldn’t remember whuh wuz funny, dude.” Assuming for the sake of argument that Charlotte is believable, open contempt of her foibles defeats the very purpose of her creation. If Wolfe is siding with the reader in critiquing Charlotte, he shouldn’t present her as the objective witness to college pandemonium...

Author: By Joe L. Dimento, CRIMSON STAFF WRITER | Title: Book Review: I Am Charlotte Simmons | 12/3/2004 | See Source »

...seventeen times in a half-page of dialogue. And his imitation rap by the fictionally famous “Doctor Dis” that churns beneath every sweaty dance party is hilarious, though it’s not supposed to be: “spears her haunches Dirty Sanchez dude what wants her nude and slutty pseudo-ruts her butt so rudely taunts her.” Word...

Author: By Joe L. Dimento, CRIMSON STAFF WRITER | Title: Book Review: I Am Charlotte Simmons | 12/3/2004 | See Source »

...ceiling. Yet another runs to a window and makes for the garden. Bellavia hits him in the legs and lower back as he flees. When it's over, four insurgents are dead; another has escaped badly wounded. To Bellavia, Fitts says, "That's a good job, dude. You're a better man than me." Bellavia shakes his head. "No, no, no," he mutters...

Author: /time Magazine | Title: Into the Hot Zone | 11/22/2004 | See Source »

...class I’ll hear, ‘Dude, we’re having the party,’ and someone else will say, ‘No, it’s in our room...

Author: By Brendan R. Linn, CONTRIBUTING WRITER | Title: Harvard Returns to the OC | 11/5/2004 | See Source »

...Good Kids Make Bad Grown Ups” starts the album out pleasantly enough, with synthesized strings fluttering around Pink’s echoing vocals, building up a Sunday morning haze that envelops the damp percussion—is it a drum machine or just some dude beatboxing? Lyrically he more recites blurry jingles and scraps of melody than pronounces anything particularly relevant, using his voice as just another instrument in the fray. In tone he alternates here between a fairly lucid baritone and a whining falsetto, a trend that holds up throughout the disc. This tendency toward wild fluctuations...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/5/2004 | See Source »

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