Word: dudgeon
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Dates: during 1960-1969
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...Nader stage of auto-erotica: a chronological arrangement of 100 carefully detailed 10½-in. by 13¼-in. color renderings of such classic cream puffs as the 1853 Dudgeon Steam Wagon, the 1898 Riker Electric Tricycle and the 1903 Oldsmobile Curved Dash Runabout...
Iowa's Representative H. R. Gross was in higher dudgeon than usual. "I couldn't believe my eyes," he told the House, "when I saw the Reverend Moyers, White House press secretary, gyrating halfway down on his knees, doing the watusi. The Reverend Moyers is another of those twinkle toes that inhabit the White House." At that, Baptist Bill Moyers, 31, inhibited himself into the depths of the West Wing and refused any comment on his performance at the Smithsonian Institution bene fit ball. White House Adviser Bob Kintner just burbled: "No matter what dance Bill does...
Chant D'Amour was not shown to the students of 4 because the staff deemed it irrelevant to the course. Its "blatant sexual imagery" (sic) was an additional complicating factor, though for the complaining student who visited the CRIMSON office in high dudgeon, this factor seems to have overridden any concern for the film's artistic merit or academic relevance. Would complaints have been forthcoming. I wonder, if showings of Cocteau's Orpheus or Kurosawa's Men Who Tread on the Tiger's Tail had been cancelled? The question of censorship, raised by the CRIMSON article, is not pertinent...
Never has a pinkie been crooked with more elaborate Lahr-di-da, or sexagenarian toes been more agile in the choreography of cowardice. In one panic, Lahr scrambles halfway up the proscenium arch and hangs there, glaring down in 20-foot-high dudgeon at the scoundrels who have treed him. Throughout the musical, he emits those lecherous gurgles, dying squawks and goosy yelps that used to be the cheek-in-tongue counterpoint to vaudeville, and burlesque. What makes Lahr the king of clowns is, above all, his masterly word-and-action timing, as when he off-handedly tosses...
Through its sharp angles, John Anderson's set of Mrs. Dudgeon's home captures the harshness of the woman herself. All sets appear in the center of the stage with a large "outdoors" area around them; the action outside the rooms often contrast with that within, underlining the ceremonies of hypocrisy. Shaw has slaughtered a number of sacred cows--and throughout this performance, the audience delights in their death...