Word: duels
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Neil McCauley (Robert de Niro) is an orderly and calculating bank robber. Vincent Hanna (Al Pacino) is a disorderly and incautious Los Angeles cop on McCauley's trail. "Dispassion vs. passion, intellect vs. instinct, the implosive vs. the explosive style. As writer-director Michael Mann develops the duel between this cop and this robber in 'Heat', his film becomes a compassionate contemplation of the two most basic ways of being male and workaholic in modern America," says TIME's Richard Schickel. With what may be the best armored-car robbery ever placed on film, Schickel notes Mann is seeking...
...alien life form on earth, conceivably connected with the report (and alleged government cover-up) of a UFO crash near Roswell, New Mexico, in 1947. Professional skeptics find the film a clever or clumsy hoax. Others believe it's real, but not from Roswell. The UFOlogical combatants duel it out in magazines and on the Internet while poring over the footage with an intensity not lavished on any home movie since the Zapruder film...
...BEAST: This 1926 silent-movie version of Moby Dick changed more than just the title. As "Ahab Ceeley," high-profile John Barrymore survives his duel with the Great White Whale--and gets a love interest. Critical reactions? The New York Times blubbered with praise, while allowing that "it would have been preferable ... to forgo the use of a property moon in one setting, as it is by no means realistic...
...fact that it took nearly an entire set for their talents to emerge. One standout was the trombonist Wycliffe Gordon, who is perhaps one of the most versatile and loudest trombonists today. Though he only rarely picked up his horn, Marsalis also distinguished himself, particularly in his trumpet duel with Marcus Belgrave and his balled performance. Those performance stood out from the concert together with the adventurous selection of seldom-heard Ellingtonia which constituted a fitting tribute to the Duke in itself...
Elena does everything she can to kick Grigory out; insults fly, but then the gloves come off. Suddenly Grigory has challenged Elena to a duel on the field of honor; when she accepts, he appreciates the allure of feisty women. The rather predictable conclusion has potential, but a lack of attention to rhythm and pacing compromise the mounting tension far too much. By the time the porter returns with field hands to watch in utter incredulity as the two, with pistols drawn, collapse in passionate embraces on the divan, the final effect has little punch...