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Sergei Prokofiev's little comic opera, The Duenna,* almost got lost in the shuffle. Finished in 1940, it had reached the dress rehearsal stage in Moscow when the war put a stop to it. After the war, it was put on in Leningrad and Prague, but the score was still in manuscript...

Author: /time Magazine | Title: Music: Slightly Bourgeois | 6/14/1948 | See Source »

Last week, Manhattan opera fans were given a pretty good idea of what The Duenna is all about. Greenwich Village's aggressive little Lemonade Opera (TIME, Sept. 8) had acquired two vocal scores from which it squeezed out an arrangement for two pianos and a full complement of 19 singers...

Author: /time Magazine | Title: Music: Slightly Bourgeois | 6/14/1948 | See Source »

Prokofiev based his opera on Richard Brinsley Sheridan's 18th Century comedy: a grandee's daughter, facing parental opposition to her marriage, slyly marries off her duenna to the parental choice (a rich fish merchant...

Author: /time Magazine | Title: Music: Slightly Bourgeois | 6/14/1948 | See Source »

...music, Prokofiev had put away the powerful pen that wrote the Fifth Symphony, used instead the light-nibbed one that wrote the delightful Classical Symphony. Lemonade Opera played The Duenna's tuneful arias, duets and quartets for laughs - and got them from a cheering, sell-out audience...

Author: /time Magazine | Title: Music: Slightly Bourgeois | 6/14/1948 | See Source »

...French Princess (Renee Asherson) has the backward-bending grace of a medieval statuette of the Virgin. Her reedy, birdlike exchange of French-English with her equally delightful duenna, Alice (Ivy St. Helier), is a vaudeville act exquisitely paced and played beyond anything that Shakespeare can have imagined. Her closing scene with Henry-balanced about equally between Olivier's extraordinarily deft delivery of his lines and her extraordinary deft pantomimic -pointing of them -is a charming love scene...

Author: /time Magazine | Title: Cinema: Masterpiece | 4/8/1946 | See Source »

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