Word: duet
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Dates: during 1920-1929
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...Barres, Sophomore star who teams with Hickok to form the best duet of wingmen that Coach Charlie Comerford ever turned out at Yale. He is also a track star, specializing in the middle distance runs...
...opera chosen for the opening night. The settings were conventional, a trifle simplified; the costumes constrastingly brilliant. But the manner in which the opera was sung and acted make the strongest impression of the evening: from the lighthearted courtly dance as the curtain rose, to the tragic closing duet of Gilda and Rigoletto, Mr. Franchetti conducted a group of singers that understood not only the musical but the dramatic possibilities of the work. Joseph Royer as Rigoletto, after passing easily through the opening scene, played his role with tremendous power. Mr. Onofrel was appealing as the Duke, Tina Paggi lovely...
Less atonal in its harmonies but in spirit akin to Composer Ernst Krenek's much- discussed Jonny Spielt Auf, the bathroom opera's subject matter is a farcical treatment of divorce. The soprano's opening song becomes a duet when a man, employed by her husband to provide divorce grounds, enters the room. The duet becomes a trio when another feminine guest of the hotel comes in to demand the use of the bath. Finally the noise grows so loud that all the employes stream in. The finale is exciting, uproarious...
Another year. Florence has had her baby and lived. Junior has recovered and is at school in Connecticut. Walter's business has trebled. But a hiatus has occurred in the duet of Florence & Walter. Things have not been the same since he chose between her and his son. An old admirer asks Florence to elope with him; she is on the verge of so doing but the old admirer refuses to let her take along her baby. That spoils the elopement. Walter at this point comes barging in, flower-laden, to find Florence at the telephone asking Junior, whom...
...some hesitation at first on the part of the ushers whether to look on the stage or in the audience, but a second alarm, obviously in the rear of the theater convinced them that the orchestra was not the guilty party. The search then started off in earnest, the duet becoming a sextet almost coincidentally. To the consternation of some and the amusement of all--excepting, of course, the management--the six alarm clocks were finally found tied to the hatracks under six seats on the main floor of the theater...