Word: duet
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...recurrence of thumb-sucking in a higher form, Joe thought long and seriously about becoming a professional pop singer. For as far back as he could remember, he and Donneita had sung in the parlor while Thelma Moore beat out tunes on the upright piano. As a duet, Joe and Donneita appeared on a Cookeville radio station program and at Rotary club and other similar gatherings in the area. A Sinatra-type baritone, Joe made his first trip to Kansas City to sing at the national F.F.A. convention there. For the fact that he is not today draping himself around...
...seven years, Ed has formulated some definite theories. Each program must contain 1) something children will like, 2) comedy. As for the acts themselves, Ed says, "The best ones are those where two different kinds of people play against each other: if Lily Pons and Pearl Bailey do a duet, Lily sings it straight while Pearl clowns it up." His added ingredient is a shrewd combination of news and human interest. When Arthur Godfrey fired Baritone Julius La Rosa, Ed had the young singer on his show the same week ("There's nothing personal in it-if Arthur...
Beethoven: "Eyeglass" Duet for Viola and Cello (Joseph de Pasquale and Samuel Mayes; Boston). One of the most recently discovered Beethoven treasures (first published in 1912 ), this one is puckishly scored "with two eyeglasses obbligato." Scholars are still puzzling over what this notation means; Beethoven may have simply wanted to say: "Take a close look at the notes, boys, and play it right." Boston Symphony First Deskmen de Pasquale and Mayes play it so right and so resonantly that it sometimes sounds like a full quartet...
...instrumental solos were the only high spots. The chorus sang with colorless tone and indifferent diction most of the time. Furthermore, Greenebaum made the texture bottom-heavy with a basso continue of four cellos, double bass, and bassoon. As a result, big ensembles plodded badly and the duet for soprano and bass seemed interminable until it finally expired...
Along with everyone else in the audience, my favorite songs were "Heart" and "Those Were the Good Old Days" which were dished up in uneven helpings, it seemed. "Heart" is pumped a little too much, especially with two reprises in the second act. And Good Old Days," a gruesome duet between the witch and the warlock, is lost in the welter of first act brilliance. Expanding the number and moving it to early after intermission--before Lola begins to soften--would strengthen the whole last half of the show...