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...Bellini's I Puritani, a Milanese favorite, Manager Ghiringhelli brought back U.S. Tenor Eugene Conley, for whom I Puritani was revived last season. When another singer sang flat in the first act, the audience groaned. But by the time Tenor Conley topped off the difficult third-act duet with a ringing D-flat above high C, audience and critics alike got off their hands...

Author: /time Magazine | Title: Music: Shortage at La Scala | 1/23/1950 | See Source »

Wagner: Die Walküre, Duet from Act I, Scene 3; Act III complete (Helen Traubel, soprano; Herbert Janssen, baritone; Emery Darcy, tenor; vocal ensemble of the Metropolitan Opera; the New York Philharmonic-Symphony, Artur Rodzinski conducting; Columbia, 4 sides, LP). Great music sung by great singers. Conductor Rodzinski gives it the pace and force to make it an exciting performance. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Dec. 26, 1949 | 12/26/1949 | See Source »

...flashing first-scene duet of tall, part-Osage Indian Ballerina Maria Tallchief (the fourth Mrs. Balanchine*) as the Firebird and Francisco Moncion as the Prince brought a touchdown roar from the audience. In the second scene, Balanchine managed to move the evil Kostchei and his 40 demons back & forth diagonally in four groups, so that City Center's scant (40-ft.) stage always seemed full of excitement but never cluttered. Throughout, it was the most stunning ballet production Manhattan balletomanes had seen in many a moon. With the final curtain, the audience set up the kind of clamor that...

Author: /time Magazine | Title: Music: New Wings for Firebird | 12/12/1949 | See Source »

...prologue, three acts and a wedding (only the last part is familiar to most U.S. fans), audiences sat enthralled while Princess Aurora was christened, cursed by the wicked fairy, and put into the long sleep from which she is awakened by the prince's kiss. The third-act duet by Fonteyn, the princess, and Helpmann, the prince, never failed to stop the show. In Swan Lake, few fans had ever seen anything so magnificent as Margot (Queen of the Swans) and her flock (the corps de ballet) huddling and quivering in terror before the evil magician...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

...snowflakes in The Nutcracker, more experienced Sadler's Wellsians laughed at the serious little girl who spent half an hour in the wings, warming up for a five-minute role. But Margot was a perfectionist, then as now: she still rehearses the entire third act duet with Partner Helpmann just before each performance of Sleeping Beauty...

Author: /time Magazine | Title: Music: Coloratura on Tiptoe | 11/14/1949 | See Source »

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