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Margaret Truman and her father were guests of honor at the National Press Club's first father-daughter banquet. Billed as the "traveling Trumans," the talented pair played a piano duet of the Jenny Lind Polka, a tune they had first rehearsed when Margaret...

Author: /time Magazine | Title: People: The Brimming Cup | 12/13/1948 | See Source »

Each group will perform two or three original Water routines. Besides the tango act, Ann Clark '49, president of the Dolphins, and Christine Bosshard '51 will do a waltz duet. Part of the act will consist of waltz duet. Part of the act will consist of shadow swimming: one girl doing a back stroke on the surface while the other cuts underwater with a reverse stroke...

Author: NO WRITER ATTRIBUTED | Title: Annex Swimmers Join Water Show | 12/9/1948 | See Source »

...original music barely recognizable. As the townswomen trooped onstage, Britten represented each with a different solo instrument-chilling woodwinds, a whining oboe, a trumpet or cymbals. Smack in the middle of Over the Hills and Far Away, he suddenly switched from a major to a minor key. In one duet between Lucy Lockit and her father, he ran two separate songs together, to make a striking question & answer fugue. At times, London critics found themselves listening to such tart dissonances as a C sharp and C natural grinding together; at other times, to an orchestral accompaniment that was as clear...

Author: /time Magazine | Title: Music: Old Beggar in New Clothes | 9/27/1948 | See Source »

Almost unnoticed at Springfield was Progressive Day. Vice-Presidential Candidate Glen Taylor drew a crowd of only 300 people, but they were enthusiastic. He assured them that the Russians "desperately crave peace," ended up by singing a duet with his wife. He sang It's a Long, Long Way to Tipperary while she gave out with "What you gonna do when the rent comes 'round?" Witnesses declared it was more sensational than anything the fair could offer-the two cows made of butter, or even "Hitler's and Eva Braun's Love Car Worth...

Author: /time Magazine | Title: National Affairs: Vice Presidents Days | 8/30/1948 | See Source »

...that the work is undramatic. With such forces at his command, Stravinsky does not fail to write a work that is extraordinarily forceful, directed, and climactic. Musically such features as brisk contrapuntal sections for the chorus, brilliant duet and solo-against-chorus writing, and a beautiful under-statement of the last words of both Oedipus and the onlookers make a performance of the work a moving and exciting occasion...

Author: NO WRITER ATTRIBUTED | Title: Boston Symphony and the Glee Club | 3/13/1948 | See Source »

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