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Word: duet (lookup in dictionary) (lookup stats)
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...speakers. I have been a fan of hers for a long, long time; she has just one of those voices that when you hear it you never forget it. It just seemed like it would work better with her, so we invited her to do the duet. She said yes and I was thrilled. I had never met her before...

Author: /time Magazine | Title: Musician M. Ward | 2/17/2009 | See Source »

...been making albums since the 90s but 2006's Post-War was the one that really got you known, how has exposure changed your schedule or your albums? Well, I can do a duet with Lucinda Williams. That's a pretty big change. I stay pretty focused on the act of writing and recording. I still go through the same process, it has not changed. At all. The influences are growing because I'm meeting more people, I guess. And I spend more time talking to journalists...

Author: /time Magazine | Title: Musician M. Ward | 2/17/2009 | See Source »

...sterilized using radiation, it's unclear whether they function exactly like untouched mosquitoes, so Hoy hopes that his team's findings can someday be used to acoustically test these lab-reared males to ensure they're as willing and competent as the wild males to perform the mating duet...

Author: /time Magazine | Title: Mosquito Mating Song: Dengue Fever Duet | 1/9/2009 | See Source »

...even if the screechy characters wear a little thin as the evening goes on. Composer Jeanine Tesori (with lyricist David Lindsay-Abaire) has supplied a few other cute numbers, most of them straightforward Broadway pop but with an occasional blues-rock beat, as in the funny, flatulence-enlivened love duet between Shrek and Fiona, "I Think I Got You Beat." The musical's main addition to the movie's irreverent spirit is a few quick spoofs of other Broadway shows, from Gypsy to The Lion King, which add some...

Author: /time Magazine | Title: Shrek Comes to Broadway: No Happy Ending | 12/18/2008 | See Source »

Costello and Sting's performances had their faults - including a good handful of wayward notes. But while commissioner Costello stormed around stage brazenly belting his lines, and Sting swooned in the arms of Schwartz's delicious diva during their final stirring - and harmonious - duet, they were clearly reveling in this escape from the confines of the pop-rock genre. "For me it's always good to put yourself outside your comfort zone," says Sting. "As an artist, it's vital to have that kind of experience to grow, otherwise you're trapped in a box. Being...

Author: /time Magazine | Title: A Night at the Opera with Sting and Elvis | 11/25/2008 | See Source »

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