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Wagner: Die Walküre-Duet (Act I Scene 3) (Helen Traubel and Emery Darcy with the Philharmonic-Symphony Orchestra of New York, Artur Rodzinski conducting; Columbia, 6 sides). Helen Traubel's Sieglinde is more vigorous but less musically sure than the old Lotte Lehmann version. Performance: good...

Author: /time Magazine | Title: Music: New Records, Sep. 9, 1946 | 9/9/1946 | See Source »

...Geisha houses, brightly kimonoed girls plucked their banjo-like samisen and trilled sentimental Japanese favorites like the Rain Blues, the Song of Beauty, the Innocence Duet. When a boisterous American asked for the Japanese national anthem, the girls refused but obliged with You Are My Sunshine. Toshiko Yamaguchi, once one of Japan's most popular singers, came home from a Shanghai internment camp with a new repertoire that included Star Dust...

Author: /time Magazine | Title: International: Blues | 7/29/1946 | See Source »

Mountain Music. Outside and in a dozen nearby buildings, girls in slacks and boys in basque shirts scraped, fiddled, blew, banged and sang, and the noises elbowed each other like a musical Babel. Behind a boxed hemlock hedge a soprano and contralto sang a duet from Aida, beyond another hedge a section of cellos rehearsed the minuet from Beethoven's Symphony No. 8 in F Major. In the Music Shed on the greensward a Brazilian conductor, who spoke no English, sign-signaled a student orchestra through a too-briskly gaited Afternoon of a Faun. Koussevitzky observed: "Maybe fine conductor...

Author: /time Magazine | Title: Music: Tanglewood, U.S.A. | 7/22/1946 | See Source »

Britons and Americans knew the Russian charges were untrue; but they also sensed last week that the Byrnes-Molotov "debate" (more accurately described as a duet of denunciation) on the Paris conference had put Russia and the West further apart than ever. How serious was the cleavage...

Author: /time Magazine | Title: THE NATIONS: Quarter to Eleven | 6/10/1946 | See Source »

...lunches in the studio audience. He lined up his cast of soloists (mostly Met stars) before the mikes like an old-fashioned singing class, so that he could keep a sharp eye and a firm baton on them. Tenor Jan Peerce, in the first act's duet with Soprano Licia Albanese, closed on a lower E (as Puccini wrote it) instead of the flashier high C he likes to exit on at the Met. Surprise star of the show was Toscanini's 20-year-old soprano find, Anne Me Knight (TIME...

Author: /time Magazine | Title: Music: Return Engagement | 2/11/1946 | See Source »

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