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Word: duetting (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...week by Maria as the man "who owns me as a husband." At the airport, Diva Callas bumped into another tourist-class passenger, none other than fur-collared Baritone Enzo Sordello, fired from the Met fortnight ago because, claimed Sordello, he had outsung Maria in an unaffectionate duet of Lucia di Lammermoor. In jolly holiday spirits, Sordello proffered a bygones-be-bygones handshake. Maria spurned his mitt and stalked off. Warbled she to newsmen a bit later: "I said, 'Merry Christmas.' He said, 'I want to shake hands.' I asked him to apologize for what...

Author: /time Magazine | Title: People, Dec. 31, 1956 | 12/31/1956 | See Source »

...Manhattan's Metropolitan Opera. It began, more or less, during a matinee of Lucia di Lammermoor which was broad cast from coast to coast. Often Callas sang superbly, notably in the famous mad scene, but sometimes she sounded as shrill as static, and during her second-act duet with Baritone Enzo Sordello she dropped her highest note like a hot knife, while Baritone Sordello held his. What happened next could be the script for a third-rate opera buff...

Author: /time Magazine | Title: Music: War at the Opera | 12/24/1956 | See Source »

...sides of it. Aside from a reluctance to act as lustily as the text indicated, the cast, headed by Gloria Lane and Jon Crain, gave a good account of itself. The voices were sonorous and the singers pronounced Chester Kallman's translation very carefully. The opera's closing duet, "O Beloved," is one of the most lovely lyrical pieces ever written...

Author: By Stephen Addiss, | Title: Music Festival | 12/11/1956 | See Source »

...first Aida at La Scala in 1950, she startled the crowd by stalking about like a hungry leopard instead of taking the usual stately stance for her Act III duet. In the death scene of Fedora, in which sopranos tend to expire stiffly on a divan, Callas staggers from it, sags to her knees, drags herself up, crawls towards her lover's room, collapses again before she finally rolls down and dies. In Norma she has cried real tears. Operagoers. long reconciled to the classic, three-gesture range of other prima donnas, are astounded and delighted...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

Signe Hasso has plenty of lure, but the duet in the boudoir lags. And though Charles Carson makes an excellent Prime Minister, some of his Cabinet members fall short. Yet it is less that the production lets Shaw down than that he himself often needs inordinate holding...

Author: /time Magazine | Title: The Theater: Old Play in Manhattan, Oct. 29, 1956 | 10/29/1956 | See Source »

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