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Word: duetting (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Many of the tracks are more blues than they are country. “All Gone, All Gone,” is about as dismal as the title would suggest. It features a duet between Johnson and Texas songsmith Sarah Jaffe over a plodding guitar line that sounds as if it’s plucked from an early Robert Johnson recording. Featuring a singing saw—an instrument whose existence is easy to forget, but whose presence is impossible to ignore—the song feels like a slow drive down a pitch-black southern road in the heart...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

Jackson also plays well with others. There's a splendid duet with Judith Hill on "I Just Can't Stop Loving You" that's both a call-and-response act of communion and a little contest over who can show more soul. He urges his lead guitarist, the petite, blond Orianthi Panagaris, to release all the wildness her fingers can express. He's determined to get the best from everyone, and to think the best of them. Near the end, just before a powerful rendition of "Man in the Mirror," he thanks members of his family: "Jackie, Jermaine, Marlon, Tito...

Author: /time Magazine | Title: Michael Jackson's This Is It Review: He's Still a Thriller | 10/28/2009 | See Source »

Helen Pickett: Mikko and I talked about a duet, and he expressed that he would like to have a Japanese theme to the duet. I went to a piece of music that I have liked for a very long time by Arvo Pärt, called “Sciegel im Sciegel,” and that’s the bulk of the duet...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: SPOTLIGHT: Helen Pickett | 10/16/2009 | See Source »

...found this fairy tale called “The Woodcutter’s Daughter,” which I decided I liked the best, because it has an ethereal quality. I knew that I wanted to do a duet about relationships—the questions of, “‘How does someone approach someone else in any situation?” “What are the boundaries?” “How do people let each other in?” With the ethereal quality, there is a built-in boundary—there...

Author: By Renee G. Stern, CONTRIBUTING WRITER | Title: SPOTLIGHT: Helen Pickett | 10/16/2009 | See Source »

With Finn’s thin, airy voice sliding up to its pitch, the song’s weak start had FlyBy skeptical. Why tackle this without Freddie Mercury? But as it progresses, the arrangement weaves the main vocal line into a duet and emphasizes the collaborative elements of the song’s choral ending. The choreography is simple, but with Rachel finding her voice again and Mercedes getting a chance to shine, it’s more than enough. Bring on the first competition...

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

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