Word: duke
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Dates: during 2000-2009
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...number of students attending Harvard’s spring and early fall the joint-travel trip with Georgetown, Duke, University of Pennsylvania, and Stanford has also been on the rise, Fitzsimmons said...
...into his tenure. There is hope, but there is also so much that is unknown—whether the past can be ignored, whether present potential can be fulfilled, and whether in the future, things can be different.TALE OF TWO PASTSAmaker began his collegiate career as a player at Duke, under the tutelage of coach Mike Krzyzewski, starting all four years with the Blue Devils and earning national Defensive Player of the Year honors his senior season. Following a nine-year assistant coaching stint under Coach K, he moved on to Seton Hall and, in his years there...
...couldn’t come back, but it’s about each individual possession and making stops and showing that you’re not going to give up.”It was Harvard’s worst defeat since it opened the 1989-90 season at Duke and suffered a 130-54 drubbing at the hands of the Blue Devils. Coincidentally, Amaker served as an assistant coach for that Duke team.—Staff writer Jonathan Lehman can be reached at jlehman@fas.harvard.edu...
...music composed for “The Tempest” by Jean Sibelius in 1925. Under the direction of Julia S. Carey ’09, the chamber orchestra near the back of the stage produces a warm, friendly sound. Early in the play, the island ruler (and rightful Duke of Milan) Prospero (Jason M. Lazarcheck ’08) recounts the tale of his exile to his daughter Miranda (Lauren L. Creedon ’11). As he speaks, six dancers take the stage to illustrate his story...
...This production’s other conceptual flourish is its treatment of Caliban, a grotesque, half-formed savage who has particularly fascinated directors since the rise of postcolonial theory in the 1950s. Because Caliban is enslaved by the exiled European duke Prospero, he is sometimes portrayed as a heroic rebel, or at least as a more “noble savage...