Word: duking
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Dates: during 1970-1979
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...booze isn't bootleg any more, but the Cotton Club is as jazzy as ever. Harlem's celebrated nightspot, which closed in the 1940s, reopened its doors last week. Cavorting together in the new digs were Duke Ellington's granddaughter, Mercedes Ellington and Cab Calloway, 70, who used to Hi-dee-ho at the club in the '30s. "Just another gig," shrugged Calloway, who does about 150 a year and has just recorded a disco version of his 1931 hit Minnie the Moocher. "I live good. I don't indulge in anything other than...
...boyish voice and smile, or Reynolds' good-ole-boy con man, shooting from the lip as fast as Eastwood shoots from the hip. The comparison is not with their contemporary peers but with the major figures of the great age of screen heroism, to Coop and Gable, Bogie and Duke, those exemplars of the democratic notion that the seemingly ordinary could be, should be, the repository of the extraordinary...
Dean Henry Rosovsky turns down the presidencies of Chicago, Tufts, B.U., Stanford and Duke, citing a commitment to his study of reform proposals for undergraduate education...
...Tempest concerns the passengers and crew of a Neapolitan ship wrecked on a seemingly deserted island, and the deposed duke who brought them there by sorcery. Reality is suffused with magic, and by the end of the play almost all of the characters have trouble distinguishing reality from illusion. This splendid confusion provides a perfect setting for avant-garde theater, in countless scenes where bizarre happenings become the norm. Thus the multiplication of leads is justifiable, even if it does not really work. The triumvirate of directors makes an honest stab at bringing elements of dance and mime into...
...grandee and his wife, known as the Duke and Duchess of Plaza-Toro, initially appear two dimensional but that's because they float across stage on a gondola bearing a resemblance of sorts to Washington Crossing the Delaware. But nothing is flat about David S. Brown's and Diane Nabatoff's performances. Nabatoff manages to look both pinched and bombastic simultaneously. Uppercrustedly on the bourgeois make, Brown has the perfect Hogarthian face for the role: his oblivious facial reactions to his own spectacular antics make him all the funnier. With Brown as the Duke of Plaza-Toro...