Word: duking
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...Hollywood Rhythm, Kino on Video's four-cassette release of 31 musical shorts from 1929 to 1941, is something to sing about. They reveal terrific artists--Duke Ellington, Cab Calloway, Bessie Smith, Bing Crosby, Ethel Merman, Ginger Rogers--in their early prime, making the music that made them famous. The tunes sound fresh, the interpretations supple. A melody can suddenly improv into Rhapsody in Blue or Chopin's Funeral March or 'Deed I Do. Half a century before rap, Louis Armstrong was already sampling...
...directors improvised as well. In early talkies the camera could hardly move, but Dudley Murphy's Black and Tan Fantasy (1929) daringly depicted the Duke Ellington composition in bold chiaroscuro, then used woozy prismatic images to show that a star dancer (the gorgeous Fredi Washington) is feeling ill before she goes on for a fatal final number. Fred Waller directed Ellington's Symphony in Black: A Rhapsody of Negro Life (1934) with artful lighting of black laborers, and moody shadows caressing the young Billie Holiday. Aubrey Scotto set most of A Rhapsody in Black and Blue (1932) in a cleaning...
...VIDEO: " 'Hollywood Rhythm,' Kino on Video?s four-cassette release of 31 musical shorts from 1929 to 1941, is something to sing about," writes TIME's Richard Corliss. "They reveal terrific artists -- Duke Ellington, Cab Calloway, Bessie Smith, Bing Crosby, Ethel Merman, Ginger Rogers -- in their early prime, making the music that made them famous. The films have the audacity of the talkies? youth: the films are filled with racial caricatures, and you?ll hear ?hell? and ?damn? in the 1929 Makers of Melody. But the tunes sound fresh, the interpretations supple. They embody the spirit of the Hollywood musical...
According to family and friends, Harvard actually considered many colleges' offers--including those from Georgia Tech and Duke--before choosing the university in Cambridge, Mass. that shares his name...
...that the foundation never interferes in his group's operations. A bigger problem for him is that ideological lit-crit is so popular within the profession. Can a small band of traditionalists hold it off? They look for signs of hope. In an issue last year of Lingua Franca, Duke professor Frank Lentricchia, a major figure in the politicization of literary studies, poured out his misgivings about "the pounding chatter about sexism and so on." Even if the profession succumbs for good and Othello is taught forever as just one more wrongful instance of white male shenanigans, Alter...