Word: dullness
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Dates: during 1990-1999
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...this morning. I wander around the office to see what the other analysts do. I spend time with one employee who specializes in writing fairness opinions--reports outlining for shareholders whether they're getting a fair deal in a merger. The number crunching and boilerplate legal writing seem dull, but it's still a high-wire act--shareholders who feel cheated can sue Broadview. "It's a pretty amazing responsibility for someone my age," the analyst says...
...cause for the crash. If there was some mysterious emergency, the response from the cockpit is still baffling. According to the voice recording, a relief pilot identified as Gamil el-Batouti, who normally formed part of the "cruise crew" that spells the pilot and co-pilot during the long, dull hours of an ocean crossing, asked to begin his shift early, barely half an hour into the flight. The captain, 57-year-old veteran pilot Ahmed el-Habashi, agreed to let the highly experienced el-Batouti, 59, replace co-pilot Adel Anwar, 36, in the right-hand seat. The door...
Moore plays Sarah Miles, the wife of an unutterably dull civil servant (Stephen Rea) who enters into a dalliance with an intense, emotionally greedy novelist named Maurice Bendrix (a fiercely glowering Ralph Fiennes). Set in wartime London and the grayish postwar years, it is, to borrow Greene's favorite word, a routinely "seedy" coupling. Until the afternoon when, taking a break from their lovemaking, Maurice steps out of the room and a buzz bomb strikes. She thinks he's dead, drops to her knees and prays: if God will spare him, she will give him up. Whereupon Maurice returns...
Given a potentially world-changing new technology, what does your modern-day greedy capitalist do? Build a theme park! That Barnumesque observation (a tad dated in this age of tech multibillionaires) isn't the only thing that's overfamiliar in this dull time-travel tale from the author of Jurassic Park. Here, America's favorite didact is out to learn us a thing or two about quantum mechanics and taking history seriously. His highly educated, lightly characterized academic heroes get their soft hands roughed up battling 14th century knights rather than prehistoric raptors. Crichton has clearly learned from his best...
...left her pregnant. He (Bob Hoskins) is a caterer with an eye, and a knife, for the ladies. In this sort-of comedy about a serial killer and his next intended, the only thing pushing the plot is relentless coincidence--a movie this implausible shouldn't be this dull--and a very aggressive score that tells you what you would have felt if the film (from the director of The Sweet Hereafter) had been made with more passion and craft. Only Hoskins rises above the dankness. His malevolence is fastidious, wistful; he's a sadist with a schoolboy's heart...