Word: dullnesses
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...interview, McGivern said he thought an apparent drop-off in the ability to learn new things at puberty might merely reflect the fact that teenagers are becoming more attuned to social issues than dull learning tasks: "It may be a shift in what we pay attention to and are motivated to look at that's driving this." But that would not explain Smith's mice or similar biochemical changes she has observed in tissue samples related to learning. (There's no question of motivation in a petri dish...
...Gazeta Wyborcza. "[His book is] about the private life of the man who wrote The Emperor. That's unnecessary and it pushes the book into the gutter." Says another writer, Andrzej Stasiuk, in defense of Kapuscinski: "Would we care about the truth if it was served up in a dull, pretentious way? I read Kapuscinski for the pleasure of reading Kapuscinski. I read his works for the sentences, paragraphs, fragments, the history he creates by pulling together details, second-long observations, crumbs. But is this the truth? I don't care...
...young Tom Hanks, history was as dull as an algebra equation. For Hanks - a classic baby boomer, born in 1956 - World War II was just a string of long-ago muzzle flashes in black-and-white. Yet he did have a more direct connection to the global cataclysm. His father had been a U.S. Naval mechanic (second class) in World War II. But Amos Hanks wasn't the type to tell his son tales of bravery and sacrifice. "Growing up, I always knew Dad was somewhere in the Pacific fixing things," Hanks says. "He had nothing nice to say about...
...Leon Uris' fact-anchored novels - Mila 18, Armageddon and Exodus - taught Hanks to feel history in a way no high school teacher ever did, but the entertainment level had to be hyperkinetic to hold his attention. It was the same with most academic histories. "The writing is often too dull to grab regular people by the lapel," he says. Ken Burns' miniseries The Civil War, which aired on PBS in the fall of 1990, gave him a sense of how he might bridge that gap. "I watched that with my son," Hanks recalls. "There was nothing but great music married...
...involved and unspectacular web of emotions, are too banal for Aciman’s trick to work, and the protagonist’s dense, slogging thoughts form a thicket of angst that paralyses the narrative. He despairingly thinks, “It occurred to me that rehearsing loss to dull the loss might bring about the very loss I was hoping to avert.” This constant act of stagnant, empty rehearsal is emblematic of the psychological development in the novel—the characters constantly strain towards expression, retracting or repeating statements, but never move towards...