Word: dumb
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Dates: during 1990-1999
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...values, if worth anything, must be more deeply embedded in the culture than the slogans of transient politicians. A Memphis construction company owner named J.D. Walker Jr. watched the Republican Convention last week and said in some disgust: "We want President Bush to know the American citizenry is not dumb. Don't keep telling us things will get better if we let you dictate how to run our personal lives. In my list of important things about this campaign, family values is fourth. Just ahead of that at No. 3 is counting all the sand on all the beaches...
...woke up and realized I liked that song by the Jets called "Rocket to You." I was ashamed; it was a corny, schlocky and dumb song about a guy who doesn't know how to fix appliances. It was all over the top-40 stations. It had a ridiculous rap segment ("Don't call me when your toaster won't pop up, don't call me just to cut your lawn") and for some reason I thought it was funky as hell. My taste had plummeted through the floor...
...love "Abbaesque," the new corny, scholocky, blissfully dumb EP by Erasure, and I am mortified. When my sister finds out, she will laugh at me. "Erasure sucks," she'll tell me, and she'll be right. Their sound is flat, canned and corporate. They're just a happy Depeche Mode, and what did the members of DM ever really have going for them except stylish gloom? I thought I'd long outgrown Erasure's typical, cloying, techno sound. And "ABBA-esque" is a skimpy, derivative album consisting of four covers of ABBA songs...
...California pretty,/ I can't survive the Great White Way," sings WAYLON JENNINGS in Too Dumb for New York City, Too Ugly for L.A., the title cut from his potent new album of barroom sermons. Yet the Last Outlaw of country music will get along somehow. His voice, after four decades of late nights and one-nights, has the moral authority of a man who's found mellow wisdom on hard roads. He tells us, in The Hank Williams Syndrome Is Dead, that it's better to trust an artist's songs than to imitate his misspent life. In Didn...
...revisionist western. Unforgiven questions the rules of a macho genre, summing up and maybe atoning for the flinty violence that made Eastwood famous. Frontier life was no idyll; it was filth and boredom punctuated by dumb gunplay. Manhood: why, that's just male vanity, and women can be mutilated for mocking it. The idea of straight shooting as an earnest of heroism -- that's bunk too; it was mostly drunks killing drunks. Unforgiven even gets you musing about death in the movies. "It's a hell of a thing, killin' a man," Will tells a young hombre (Jaimz Woolvett...