Word: dumbarton
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Dates: during 1990-1999
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...ended up quoted in a news article somewhere. For us, the ones reading the paper, these people only exist in black and white. We won't see them in class, because they take all their classes at the Med School or the Ed School or the botanical gardens at Dumbarton Oaks, or they're so busy being famous or getting quoted about how much their source-books cost that they don't bother to show up for class at all. After a while we come to know a lot about them, certainly more than they know about us. We talk...
...evening of old favorites and new faces marked the first concert of the 1997-1998 season for the Bach Society Orchestra last Friday. Under the direction of new conductor Eric R. Tipler '99, the orchestra presented nicely rendered performances of Bach's Brandenburg Concerto No. 3, Stravinsky's "Dumbarton Oaks" concerto and Beethoven's Symphony No. 6 ("pastoral"). The performance had some flaws, mostly of the sort one might expect from a small, student-directed orchestra, but in general it was quite solid and entertaining...
...lovers and neophytes alike. The Bach and Beethoven are beloved staples of the classical repertoire, even for the least classical-minded listeners, and the Stravinsky is a favorite of many classical music fans. The program showed some intriguing logic: Stravinsky drew on the Brandenburg for inspiration in writing the "Dumbarton Oaks" concerto. The combination of the two shorter, less heavily orchestrated pieces at the beginning, followed by the symphony at the end, was just the right balance for a satisfying evening of music...
...Dumbarton Oaks made an appropriate and thought-provoking follow-up to the Bach. The influence of the earlier work appears quite strikingly in some melodic and rhythmic allusions, though the Stravinsky definitely keeps its integrity as an entirely independent piece. (However, the connection between the two was complicated, not clarified, by the somewhat enigmatic program notes.) A reduced version of the orchestra managed Stravinsky's characteristically tricky harmonies, rhythms and meter changes, although somewhat shakily: this, and the thin orchestration of some parts, left the audience wondering at times if the group was on the verge of falling apart. Howeverall...
...Gardner's next season opens on September 24, when the museum's own chamber orchestra will be joined by conductor and Harvard's Walter Bigelow Rosen Professor of Music Emeritus Leon Kirchner for Stravinsky's Dumbarton Oaks Concerto and Mozart's Piano Concerto in C minor, K. 491. Levinson is scheduled to return as soloist in the Mozart...