Word: dumbness
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Dates: during 1970-1979
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...think they were really dumb," Charles J. Lowenstein '82, said yesterday. He said one resident took the prank seriously and was very upset until he went to the Freshman Dean's Office and discovered it was a hoax...
Margaret Singer as Doreen plays a dumb blonde with emotional depth. Between giggles and "oohs" she presents a Doreen who is proud of her meager attributes and who is at once disturbed by and sympathetic to Tchaik's brooding introspectiveness...
Nothing could be more indicative of the childish apathy of college students in the 1970s than the dumb sixth-grade graffiti which has recently appeared in South House and is now spreading all over the university. In the South House elevator some childish person recently drew a Valentine heart with an arrow through it containing the names "Bert and Margie." (I have, of course, changed the names.) A few days later, regressing to kindergarten, someone had written "Bert and Margie sitting in a tree, k-i-s-s-i-n-g." Yesterday I discovered "Bert loves Margie" written in every...
...FEMALE leads fare better. Andrea Eisenberg as Natalie Yellowbud is disarmingly charming. Eisenberg is the perfect airhead, from the flower-in-the-hair Nature's Child look to the shit-eating grin. Amy Acquino as Maureen Bad complements Eisenberg very well. Cast against the blond frizzy dumb-dumb, Acquino makes a perfect villain; eyes drifting to the sky, slinking on the edges of the stage, and scheming her way through the show. Her solo number "I'm a Bitch" is probably the best of the evening...
...relatively short works, Pvt. Wars and Lone Star, are ready for instant transfer as a back-to-back double bill to other resident theaters or to off-Broadway. Both works are three-man plays, and the characters are temperamentally similar. One is macho aggressive, one is flailingly dumb, and one is provokingly prissy. McLure writes with his fist, and his characters punch out at adamant walls. Pvt. Wars takes place in a mental ward for brain-bruised war veterans. In a series of blackout scenes, Richard Bowne, Leo Burmester and Daniel Ziskie place banderillas of rage, revenge and practical jokery...