Word: dumbo
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...just modesty that's making Disney cautious; it's history. Praise for Disney classics like Dumbo and Snow White and the Seven Dwarfs - and contemporary hits like The Lion King and Pixar's Finding Nemo - didn't convince the Academy that those animated films deserved to be considered alongside live-action ones. That's because animated features enjoy scant support from the largest branch of the 6,000 film-industry pros who select the Best Picture candidates every year: actors. "Actors tend to vote for live-action performances," says Variety columnist Anne Thompson. "Lord of the Rings got to Best...
Cartoons at a super-serioso film festival? Mais oui, if the festival is Cannes, which has been hospitable to animation from the start; Walt Disney's Make Mine Music and Dumbo won prizes the first two years. More recently, DreamWorks' Shrek had a lavish premiere here; and last year Marjane Satrapi's Iranian-French animated autobiography Persepolis copped the Jury Prize, on its way to international renown and an Oscar nomination. (But never a Pixar movie, though several would have been ready for a mid-May slot. Go figure.) Today DreamWorks unveiled its latest ani-movie, Kung Fu Panda...
Eons ago, Walt Disney cornered this market with cartoon features that comforted parents and scared kids with the same implied admonition: Get home before dark. Pinocchio, Bambi and Dumbo, for all their craft and wonder, were essentially horror films that exploited the separation anxiety that children felt on their first day of school. The noise you heard back then from kids in the theater was a primal scream...
DIED. JOE GRANT, 96, one of Disney's most influential early artists and story developers, whose credits over a seven-decade career included co-writing Dumbo, helping devise the story for Fantasia and creating the queen-witch character in Snow White and the Seven Dwarfs; of a heart attack, while working in his studio; in Glendale, Calif. In the late 1980s, 40 years after leaving Disney to start his own businesses, he was called back to consult on Beauty and the Beast, Aladdin and The Lion King...
...Often U.S. films have won the Palme d'Or: everything from Disney's Dumbo at the first festival in 1946 to three consecutive American indies of the late 80s and early 90s (sex, lies, and videotape, Wild at Heart, Barton Fink). In the last two years, with American political domination a sore point to much of the world, Cannes pinned its crowning laurels on Gus Van Sant's Elephant, with its evocation of the Columbine High School massacre, and Fahrenheit 9/11. The prizes were as much messages to the world's only superpower as they were nods to the films...